This graph shows George MacKay’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Jacob, a man who believes he is a Wolf trapped in a human body, is sent to a clinic by his family where he is forced to undergo increasingly extreme forms of “curative” therapies at the hands of The Zookeeper. Jacob’s only solace is the enigmatic Wildcat with whom he roams the hospital in the dead of night. The two form an improbable friendship that develops into infatuation. But can he renounce his true self for love, and will he ever be able to deny the being inside?
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It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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At the height of the First World War, two young British soldiers, Schofield and Blake are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them.
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How I Live Now is based on a 2004 Young Adult novel, which puts it in a category that includes nearly all films made in the past decade or so. That's exaggerating, but it is one of the crowded genres today with numerous examples coming out each year. How I Live Now wasn't one of the more lucrative examples. In fact, it opened in limited release missing the Mendoza Line before quickly disappearing from theaters. Granted, it was also a Video on Demand premiere so that has a serious effect on box office numbers. Should it have performed better? Or does it suffer from too many of the clichés of the genre.
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All Acting Credits
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