March 30th, 2018
Many of the films on this week’s list are good, but not great. Some are like After Louie, good enough to rent on VOD, but not worth a trip to the theaters. Fortunately, there are some that are worth a trip to the theaters, including Love After Love and Outside In.
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September 11th, 2017
Beatriz at Dinner came out in limited release this past summer earning reviews that are good, but not great. Its box office results were very good for a limited release earning just over $7 million, but it never quite cracked the top ten. Does the film’s quality match this result? Is it good, but not great? Or did it deserve breakout success?
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February 15th, 2016
There's no major release this week. I was tempted to give Spectre the Pick of the Week honor, but the screener arrived too late to get the review done over the weekend. None of the big releases are worth the Pick of the Week title. There are a number of smaller releases that are worth considering for Pick of the Week, including The Kid, which tops the list.
On a side note, this week's list is a little shorter than I would have liked, because the people who run Amazon are morons. They've changed the New Releases page, again, making it even harder to find a list of new releases for the week. Additionally, there are some films, like Black Mass, that weren't on the list of releases for this week before the changes were made. I understand why physical stores reorganize every once and a while, because if people have to walk to the store to find something, they are more likely to buy something else on a whim. However, these people physically walked to the store, so if they don't buy what they came for, it will be a wasted effort. On the other hand, people go to Amazon by clicking a button. Making it harder to find new releases for that week won't make it more likely they will buy something else. It means they are more likely to not buy anything at all.
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 2,001-2,100) |
2,055 |
$11,942,885 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 3,901-4,000) |
3,942 |
$12,442,017 |
Top Grossing Producer at the Domestic Box Office (Rank 8,001-8,100) |
8,008 |
$70,149 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,601-3,700) |
3,688 |
$11,942,885 |
Top Grossing Story Creator at the Domestic Box Office (Rank 2,501-2,600) |
2,558 |
$3,614,896 |
Top Grossing Director at the International Box Office (Rank 3,801-3,900) |
3,900 |
$3,033,392 |
Top Grossing Executive Producer at the International Box Office (Rank 5,801-5,900) |
5,855 |
$1,309,276 |
Top Grossing Producer at the International Box Office (Rank 8,601-8,700) |
8,688 |
$36,946 |
Top Grossing Screenwriter at the International Box Office (Rank 4,201-4,300) |
4,241 |
$3,033,392 |
Top Grossing Story Creator at the International Box Office (Rank 2,401-2,500) |
2,466 |
$1,005,503 |
Top Grossing Director at the Worldwide Box Office (Rank 2,901-3,000) |
2,950 |
$14,976,277 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,601-4,700) |
4,653 |
$13,751,293 |
Top Grossing Producer at the Worldwide Box Office (Rank 9,801-9,900) |
9,888 |
$107,095 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 4,301-4,400) |
4,355 |
$14,976,277 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 2,701-2,800) |
2,791 |
$4,620,399 |