Jason Headley

Best known as a Screenwriter based on credits in that role in 3 films, with $352,235,625 worldwide aggregate box office (rank #885)
Best-known technical roles: Lightyear (Screenwriter), Lightyear (Story Creator), Onward (Screenwriter)
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter3$179,862,333$172,373,292$352,235,625
Story Creator1$118,307,188$100,570,836$218,878,024
Director1$0$0$0

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) 778 $179,862,333
Top Grossing Story Creator at the Domestic Box Office (Rank 601-700) 628 $118,307,188
Top Grossing Screenwriter at the International Box Office (Rank 1,001-1,100) 1,030 $172,373,292
Top Grossing Story Creator at the International Box Office (Rank 801-900) 846 $100,570,836
Top Grossing Screenwriter at the Worldwide Box Office (Rank 801-900) 885 $352,235,625
Top Grossing Story Creator at the Worldwide Box Office (Rank 701-800) 737 $218,878,024

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2020 Preview: March

March 1st, 2020

Mulan

The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Jun 17, 2022Lightyear Screenwriter
Story by		 $118,307,188$100,570,836$218,878,024
Mar 6, 2020Onward Screenwriter $61,555,145$71,802,456$133,357,601
Nov 30, 2017A Bad Idea Gone Wrong Director
Screenwriter
 
Averages $89,931,167$86,186,646$176,117,813
Totals 3 $179,862,333$172,373,292$352,235,625


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Nov 30, 2017A Bad Idea Gone Wrong
 
Averages n/an/an/an/a0.0%
Totals 1 n/an/a


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Jun 17, 2022Lightyear $50,577,9614,255$118,307,188$218,878,02454.1%
Mar 6, 2020Onward $39,119,8614,310$61,555,145$133,357,60146.2%
Nov 30, 2017A Bad Idea Gone Wrong
 
Averages $44,848,9114,283$89,931,167$176,117,81350.1%
Totals 3 $179,862,333$352,235,625

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) 778 $179,862,333
Top Grossing Story Creator at the Domestic Box Office (Rank 601-700) 628 $118,307,188
Top Grossing Screenwriter at the International Box Office (Rank 1,001-1,100) 1,030 $172,373,292
Top Grossing Story Creator at the International Box Office (Rank 801-900) 846 $100,570,836
Top Grossing Screenwriter at the Worldwide Box Office (Rank 801-900) 885 $352,235,625
Top Grossing Story Creator at the Worldwide Box Office (Rank 701-800) 737 $218,878,024