February 22nd, 2024
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Despite taking a backseat at the box office to Bob Marley: One Love during its opening frame, Madame Web once again finds itself as the widest release in North America this weekend, as it retains (mostly by contractual obligation) its opening count of 4,013 theaters. The superhero film starring Dakota Johnson has earned over $28 million in its first eight days, a figure that has been doubled by One Love, which opened alongside Madame Web on Valentine’s Day. This week witnesses three new wide releases, accompanied by a pandemic era film making its way back into cinemas.
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March 1st, 2020
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The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
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All Technical Credits
Announced (Undated)
Apostles: Resurrection of Christ
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Director Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|
| Top Grossing Director at the Domestic Box Office (Rank 1,101-1,200) |
1,135 |
$47,191,545 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 1,301-1,400) |
1,365 |
$108,202,226 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,301-1,400) |
1,330 |
$89,027,805 |
| Top Grossing Director at the International Box Office (Rank 3,001-3,100) |
3,070 |
$6,214,587 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,001-4,100) |
4,019 |
$8,855,946 |
| Top Grossing Screenwriter at the International Box Office (Rank 3,501-3,600) |
3,579 |
$7,572,726 |
| Top Grossing Director at the Worldwide Box Office (Rank 1,601-1,700) |
1,650 |
$53,406,132 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 2,101-2,200) |
2,135 |
$117,058,172 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,001-2,100) |
2,034 |
$96,600,531 |
