The first Diary of a Wimpy Kid opened in 2010 and managed to earn $64 million. Rodrick Rules came out the next year, but its box office slipped to $52 million. Both films were very profitable, so it should come as no surprise that the franchise was extended to a trilogy. There's not much new to say about Dog Days. It does have a better release date and that should help its ticket sales. However, there was quite a drop from the first to the second film, so that might not be enough to compensate. I don't think it will be the better of the two new releases during its first weekend, but thanks to its family friendly nature, it should have better legs and last long enough to top $50 million, which will likely result in yet another Diary of a Wimpy Kid film, likely in 2014.

A gritty remake of Total Recall. This sounds like it could be a really good film. The original short story is excellent and the first movie was very funny. However, a gritty reboot could take the core of the story and present it in a way that isn't so obviously easily comparable. It puts its own twist on the story. Unfortunately, there's no early reviews to judge whether or not making the movie gritty was a success. On the other hand, I can investigate the buzz, and it is not good. Firstly, there's not a lot of buzz and a a film like this needs buzz. Secondly, what buzz there is is rather negative. A lot of people are complaining about the PG-13 rating and they are making fun of and complaining that the original didn't need to be remade. Finally, the film won't thrive on star power alone. Colin Farrell has starred in some big movies, but his overall track record at the box office is mixed. His most recent wide release was another remake, Fright Night, and that film bombed at the box office.

There is a chance this film will make less than Diary of a Wimpy Kid: Dog Days does overall, but it should at least start faster.

Last minute update: There are a few reviews trickling in, and they are not good. Had the film's reviews been as strong as its predecessor's were, then I would have raised my prediction to $100 million. That's likely out of reach now.

The Bourne Identity was based on the first of a series of books by Robert Ludlum. There were only three books in the series, but after the success of the first film, a fourth book was written: The Bourne Legacy. Now that book is being loosely adapted into a movie. This makes sense as the franchise has been really solid at the box office; however, continuing a franchise after its star leaves is a big risk. When they rebooted X-men with a new cast, the film earned stellar reviews, but it still failed to live up to its predecessors at the box office. A decade of inflation should prevent it from becoming the weakest film in the franchise, but I wouldn't be shocked if it were close.

An R-rated comedy. There have been a ton of those to hit theaters this summer, but only one of them, Ted, has been a real hit. Will this be the second such hit of the summer? Or will it add to the list of misses? There are some reasons to be optimistic. Firstly, Jay Roach, Will Ferrell, and Zach Galifianakis, have all had major success in this genre over their careers. Meet the Parents, The Hangover, Talladega Nights are just a few examples they've been a part of. This film could easily make $100 million. It could make twice that, or it could make half of that. After all, The Watch and That's My Boy both bombed.

I think it will cross $100 million, but I also think it will be very close. I hope I'm underestimating its appeal, but I'm a little worried the politics could be a turn off. Some swing states have already dealt with tens upon tens of millions of dollars in campaign ads, and they might be sick of elections by next week.

This film could be a major sleeper hit. It reunites David Frankel and Meryl Streep, who previously made The Devil Wears Prada. That film only made $27 million during its opening, but came very close to reaching $125 million in the end. That's the kind of legs most films can only dream off. Likewise, Julie & Julia had strong legs at this time of year in 2009 and Momma Mia! was a surprise hit in 2008. Steve Carell has also shown he can lead a film like this, as Crazy Stupid Love earned good legs last year. This film might do the same, especially since it is aimed at a more mature target demographic. These moviegoers rarely rush out to see a film's opening night, but they are more likely to see a film later in its run. Pie-in-the-sky, this film could have a similar run as The Help, plus anything with Meryl Streep in it has a least a shot at earning Oscar nominations. I don't think it will get to the century mark, but it could be a surprise hit and you can't ignore the possibility it will reach that milestone.

Everyone from The Expendables is back, plus Jean-Claude Van Damme... and someone else whose name I won't mention. The group of mercenaries goes on another mission and it goes wrong. Now they are looking for revenge, and to stop five tons of plutonium from getting into the wrong hands. The original movie was a $100 million hit theatrically and a big hit on the home market. If this film's reviews are the same as before, I expect this film will also be a $100 million hit. It should start faster (about $40 million) but fall faster as well. There is a slim chance the franchise will see strong growth, but most expect it will earn a nearly identical amount at the box office.

Jennifer Garner and Joel Edgerton learn they can't have a child of their own, so they write all the things they wanted in their child on pieces of paper, stick them in a box, and then bury that box in their back yard. After a storm, they find a 10-year old son CJ Adams. This film is clearly aimed at families, but I don't think it will be a hit. Firstly, it is sharing its opening weekend with ParaNorman, which is the bigger family film. Also, live action family dramas rarely find success at the box office. It might be the weakest of the four films opening this weekend, especially since it is opening on Wednesday, which will dilute its Friday through Sunday numbers.

A lot of people are comparing this film to Coraline and Monster House, which makes sense, as all three are animated films that are aimed at kids, but all have strong horror elements to them. The previous two films did well at the box office, but never were able to reach the century mark. I think this one will come closer, but still fall a bit short, as the horror elements will prevent younger kids from going to the movie. Also, while I'm a big fan of Stop-motion animation, the evidence is clear that these films rarely come close to $100 million. Even if ParaNorman becomes Focus Features' biggest hit, it might still need a good run on the home market to break even. I think it will, but I'm a little more bullish than most.

A remake of the 1976 film of the same name. It's been updated, slightly. The original was about a girl group set in the 1950s and was loosely based on the Supremes. Meanwhile this one is about a girl group set in the 1970s and has more of a Motown sound. The buzz around this movie is rather quiet. It is a posthumous release for Whitney Houston and there is some talk that her untimely death will boost the film's box office chances. There is also a chance that fans of American Idol in general and Jordin Sparks in particular will want to see this movie. Given the lack of buzz, and the crowded release date, I just don't see it being a big hit. On the other hand, the production budget is really low, so that should help the studio break even early on the home market run.

A group of students perform a scientific experiment meant to prove that if people believe in a psychic phenomenon enough, it will become real. They succeed. However, what they create kills one of them and later comes after the rest. It's an interesting premise, but I'm not sure how well it will pay-off, as there's not a lot of information to judge. It is writer / director Todd Lincoln's first feature-length film. Ashley Greene doesn't have a lot of box office success outside of the Franchise that made her famous and the same can be said with Tom Felton. Maybe both will be big stars, but so far it is too soon to judge. Sebastian Stan also doesn't have a huge number of films to compare. Finally, the week after this film comes out, The Possession comes out, and that film is earning louder and stronger buzz. It reportedly cost just $17 million to make, so it should break even, but it won't be a major hit, or even a midlevel hit.

Written and co-directed by Dax Sheppard. His track record at the box office and with critics is not good. His previous writing / directing effort was Brother's Justice, which earned zero positive reviews and was practically a direct-to-DVD release. There are some sources that say this film will be a limited release. Even if it does open wide, I don't think it will make much of an impact at the box office and will be one of the many R-rated comedies to struggle at the box office this summer.

On a side note, who thought it was a good idea to have an extended prison rape joke in the trailer? Is that really a good marketing idea?

This is the only film opening this week that I'm interested in. In fact, I'm more interested in this film than most of the potential $100 million hits of the month. Joseph Gordon-Levitt plays a bike messenger given a package for immediate delivery. But before he can hand it over, he's stopped by Michael Shannon, a cop, who demands the package. When Joseph Gordon-Levitt's character refuses to hand it over, all hell breaks loose and he's being chased all over New York by people trying to kill him. The trailer makes it seem like an awesome thriller and Joseph Gordon-Levitt and Michael Shannon are two actors that instantly make a movie more appealing in my opinion. However, you still have to look at that release date and wonder if something went horribly wrong. I think it will be the biggest hit of the weekend, but it will still struggle just to become a midlevel hit.

A Prohibition Era film about a war between two groups of bootleggers. The cast includes many great actors, Tom Hardy, Gary Oldman, Jessica Chastain, and many others. It is also aimed at a more mature target demographic, which hasn't had a lot of films to look forward to this month. The Debt was the biggest new release this weekend last year and it managed to top $30 million at the box office, which is probably what this movie will end up with as well. That might be enough to break even, depending on its production budget.

Jeffery Dean Morgan and Kyra Sedgwick are a recently divorced couple, but they are still on friendly terms. One day, he takes his two daughters, Natasha Calis and Madison Davenport, to a garage sale where Natasha buys a strange box. She becomes obsessed with figuring out how to open it, but when she does she frees an evil force that possesses her. Only one film has ever opened with more than $20 million during the three-day portion of the Labor Day long weekend, and that was a horror film (Halloween). The Genre tends to do well during this weekend with three of the top five openings. I don't think it will be the biggest opener of all time, but it could find a spot in top five.