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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Dec 25, 2020 | Wonder Woman 1984 | $200,000,000 | $16,701,957 | $46,801,036 | $166,360,232 |
| Jun 2, 2017 | Wonder Woman | $150,000,000 | $103,251,471 | $412,563,408 | $817,691,766 |
| Averages | $175,000,000 | $59,976,714 | $229,682,222 | $492,025,999 | |
| Totals | 2 | $350,000,000 | $459,364,444 | $984,051,998 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Aug 29, 2017 | Wonder Woman | $98,825,887 | Netflix Hulu Amazon iTunes Google Vudu |
| Dec 25, 2020 | Wonder Woman 1984 | $39,223,519 | Google Netflix Amazon iTunes Vudu |
| Mar 30, 2021 | Wonder Woman 2-Film Collection | $2,073,014 | |
| Totals | $140,122,420 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
March 3rd, 2022
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It’s no surprise, but welcome news nonetheless, that this week’s arrival of The Batman in 4,417 locations puts the film not only as the widest release of the week, but puts it in 13th place among the widest releases of all time, nestled between two animated sequels—Frozen II and Incredibles 2—which debuted in 4,440 and 4,410 theaters respectively. As the only wide release to debut this week, the latest in the Batman franchise also eclipses last year’s No Time to Die (4,407 theaters), and Spider-Man: No Way Home’s 4,336 locations to become the widest release of the (post-)pandemic era.
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March 20th, 2018
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It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Gal Gadot | 2 | Diana/Wonder Woman | $984,051,998 | $7,529,603,624 | 13.1% |
| Chris Pine | 2 | Steve Trevor | $984,051,998 | $4,639,945,544 | 21.2% |
| Robin Wright | 2 | Antiope | $984,051,998 | $3,618,368,855 | 27.2% |
| Connie Nielsen | 2 | Hippolyta | $984,051,998 | $2,650,895,086 | 37.1% |
| Lilly Aspell | 2 | Young Diana | $984,051,998 | $1,002,678,918 | 98.1% |
| Ewen Bremner | 2 | Charlie | $984,051,998 | $2,555,737,530 | 38.5% |
| Said Taghmaoui | 2 | Sameer | $984,051,998 | $2,465,363,077 | 39.9% |
| Eugene Brave Rock | 2 | The Chief | $984,051,998 | $984,344,914 | 100.0% |
| Lucy Davis | 2 | Etta | $984,051,998 | $1,165,499,097 | 84.4% |
| Doutzen Kroes | 2 | Venelia | $984,051,998 | $984,051,998 | 100.0% |
| Hari James | 2 | Herald (Trigona) | $984,051,998 | $984,051,998 | 100.0% |
| Betty Adewole | 2 | Amazon | $984,051,998 | $984,051,998 | 100.0% |
| Hayley Warnes | 2 | Aella | $984,051,998 | $984,051,998 | 100.0% |
| Camilla Roholm | 2 | Amazon | $984,051,998 | $1,209,862,061 | 81.3% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Patty Jenkins | 2 |
Director (2) Screenwriter (1) Producer (1) Story by (1) |
$984,051,998 | $1,048,383,319 | 93.9% |
| Zack Snyder | 2 |
Producer (2) Story by (1) |
$984,051,998 | $6,529,930,452 | 15.1% |
| Charles Roven | 2 | Producer (2) | $984,051,998 | $9,872,998,828 | 10.0% |
| Geoff Johns | 2 |
Executive Producer (2) Screenwriter (1) Story by (1) |
$984,051,998 | $5,696,823,194 | 17.3% |
| Deborah Snyder | 2 | Producer (2) | $984,051,998 | $6,426,477,577 | 15.3% |
| Richard Suckle | 2 |
Producer (1) Executive Producer (1) |
$984,051,998 | $2,369,474,049 | 41.5% |
| Rebecca Steel Roven | 2 | Executive Producer (2) | $984,051,998 | $1,422,951,822 | 69.2% |
| Wesley Coller | 2 | Executive Producer (2) | $984,051,998 | $4,242,068,441 | 23.2% |
| Stephen Jones | 2 |
Executive Producer (1) Producer (1) Unit Production Manager (1) |
$984,051,998 | $4,343,004,846 | 22.7% |
| Aline Bonetto | 2 | Production Designer (2) | $984,051,998 | $1,142,389,189 | 86.1% |
| Matthew Jensen | 2 | Director of Photography (2) | $984,051,998 | $1,275,582,975 | 77.1% |
| Lindy Hemming | 2 | Costume Designer (2) | $984,051,998 | $8,436,935,679 | 11.7% |
| Lucinda Syson | 2 | Casting Director (2) | $984,051,998 | $8,102,101,781 | 12.1% |
| Kristy Carlson | 2 | Casting Director (2) | $984,051,998 | $3,367,406,017 | 29.2% |
| Marianne Jenkins | 2 |
Post-Production Executive (1) Executive Producer (1) Unit Production Manager (1) |
$984,051,998 | $4,866,243,201 | 20.2% |
| Peter Russell | 2 |
Supervising Art Director (1) Supervising Sound Editor (1) |
$984,051,998 | $6,218,572,122 | 15.8% |
| Arwel Evans | 2 | Art Director (2) | $984,051,998 | $1,991,221,759 | 49.4% |
| Laura Miles | 2 | Script Supervisor (2) | $984,051,998 | $1,788,944,910 | 55.0% |
| Anna Lynch-Robinson | 2 | Set Decorator (2) | $984,051,998 | $1,829,014,756 | 53.8% |
| Mark Holt | 2 | Special Effects Supervisor (2) | $984,051,998 | $5,553,193,958 | 17.7% |
