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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 29, 2016 | Mother’s Day | $25,000,000 | $8,369,184 | $32,492,859 | $52,367,022 |
| Dec 9, 2011 | New Year’s Eve | $26,000,000 | $13,019,180 | $54,544,638 | $146,850,273 |
| Feb 12, 2010 | Valentine's Day | $52,000,000 | $56,260,707 | $110,485,654 | $217,569,328 |
| Averages | $34,333,333 | $25,883,024 | $65,841,050 | $138,928,874 | |
| Totals | 3 | $103,000,000 | $197,523,151 | $416,786,623 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| May 18, 2010 | Valentine's Day | $24,010,016 | Amazon iTunes Google Vudu |
| May 1, 2012 | New Year’s Eve | $12,652,465 | Netflix Amazon iTunes Google |
| Jul 19, 2016 | Mother’s Day | $5,515,635 | Netflix Amazon iTunes |
| Totals | $42,178,116 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
May 3rd, 2016
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This past weekend was the weekend before the start of summer, so you knew the wide releases weren't going to be massive hits. However, I was still hoping for more than what we got. Fortunately, The Jungle Book did beat expectations earning first place with $43.71 million. The best of the new releases was Keanu, which only managed third place with $9.45 million. Overall, the box office fell 16% from last weekend to $108 million. The year-over-year comparison is devastating; however, that's because the same weekend last year was the first weekend of May when The Avengers: Age of Ultron debuted. Compared to last year, this weekend's box office was 54% lower. Year-to-date, 2016's lead has shrunk to 5.7% at $3.51 billion to $3.32 billion. Next weekend, 2016 should bounce back when Captain America: Civil War opens.
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April 30th, 2016
The Jungle Book easily remained in first place on Friday’s box office chart, earning $10.25 million. That is down just 38% from last Friday and if the weekend as the same internal multiplier as last time, then we are looking at a $49 million weekend haul. That’s a lot more than we predicted and would push the film’s running tally well over $250 million. However, this seems overly bullish—I would expect a weekend total of a few million less.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Hector Elizondo | 3 | Edgar | $416,786,623 | $2,507,956,968 | 16.6% |
| Jessica Biel | 2 | Kara Monahan | $364,419,601 | $1,773,939,200 | 20.5% |
| Julia Roberts | 2 | Miranda | $269,936,350 | $6,540,660,049 | 4.1% |
| Ashton Kutcher | 2 | Reed Bennett | $364,419,601 | $1,991,631,459 | 18.3% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Garry Marshall | 3 |
Director (3) Producer (1) Story by (1) |
$416,786,623 | $1,765,337,519 | 23.6% |
| Mike Karz | 3 | Producer (3) | $416,786,623 | $885,427,449 | 47.1% |
| Charles Minsky | 3 | Director of Photography (3) | $416,786,623 | $1,229,394,976 | 33.9% |
| John Debney | 3 | Composer (3) | $416,786,623 | $10,719,988,414 | 3.9% |
| Julianne Jordan | 3 | Music Supervisor (3) | $416,786,623 | $4,680,829,938 | 8.9% |
| Katherine Fugate | 2 |
Screenwriter (2) Story Creator (1) |
$364,419,601 | $364,419,601 | 100.0% |
| Toby Emmerich | 2 | Executive Producer (2) | $364,419,601 | $11,009,143,501 | 3.3% |
| Samuel J. Brown | 2 | Executive Producer (2) | $364,419,601 | $2,269,115,853 | 16.1% |
| Wayne Rice | 2 | Producer (2) | $269,936,350 | $270,323,094 | 99.9% |
| Michael Disco | 2 | Executive Producer (2) | $364,419,601 | $4,299,751,886 | 8.5% |
| Josie Rosen | 2 | Executive Producer (2) | $364,419,601 | $614,718,888 | 59.3% |
| Diana Pokorny | 2 |
Executive Producer (2) Unit Production Manager (1) |
$364,419,601 | $1,140,159,375 | 32.0% |
| Gary Jones | 2 | Costume Designer (2) | $364,419,601 | $3,397,806,064 | 10.7% |
| Bruce Green | 2 | Editor (2) | $269,936,350 | $1,779,741,693 | 15.2% |
