Oman Box Office for Show Dogs (2018)

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Show Dogs
Theatrical Performance (US$)
Oman Box Office $5,545Details
Worldwide Box Office $40,014,998Details
Home Market Performance
North America DVD Sales $912,011 Details
North America Blu-ray Sales $446,682 Details
Total North America Video Sales $1,358,693
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Max, a macho, solitary Rottweiler police dog is ordered to go undercover as a primped show dog in a prestigious Dog Show, along with his human partner, to avert a disaster from happening.

Metrics

Movie Details

Production Budget:$5,500,000
Oman Releases: May 31st, 2018 (Wide)
Video Release: August 7th, 2018 by Global Road Entertainment
MPAA Rating: PG for suggestive and rude humor, language and some action.
(Rating bulletin 2529 (Cert #51393), 5/30/2018)
PG for suggestive and rude humor, language and some action. NOTE: EDITED VERSION. CONTENT IS DIFFERENT FROM SURRENDERED "PG" RATED VERSION, BULLETIN NO. 2529 (5/30/18). ONLY THIS EDITED VERSION IS RATED.
(Rating bulletin 2538 (Cert #51658), 8/1/2018)
Running Time: 92 minutes
Keywords: Talking Animals, Animal Lead, Undercover, Buddy Cop, Set in Las Vegas, Police Procedural, Animal Trafficking, FBI, Farcical / Slapstick Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Animation/Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Global Road Entertainment, Riverstone Pictures, Wales Screen, Lipsync Productions, Deepak Nayar, Kintop Pictures, Alive Entertainment
Production Countries: United States
Languages: English

Home Market Releases for August 21st, 2018

August 20th, 2018

Ash vs. Evil Dead: Season Three

It’s a good week on the home market as we not only have a monster hit that is worth being a Pick of the Week contender, Deadpool 2, we have a wide selection of other contenders. This includes a limited release, First Reformed; an Anime title,Sakura Quest: Part Two; as well as a TV on DVD release, Ash vs. Evil Dead: Season Three. In the end, I went with Ash vs. Evil Dead: Season Three, but it was a close race. More...

Home Market Releases for August 7th, 2018

August 8th, 2018

Deadpool 2

It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close. More...

Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot

June 7th, 2018

Ocean’s 8

Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better. More...

Weekend Wrap-Up: Solo’s $100 million Opening still a Disappointment

May 30th, 2018

Solo: A Star Wars Story

Memorial Day long weekend is off its peak and its been a while since it was breaking records regularly. (Half of the top ten three-day and four-day records are a decade old or older.) That didn’t change this year, as Solo: A Star Wars Story missed expectations with $84.42 million / $103.02 million during its opening weekend. You can’t even claim it missed expectations because Deadpool 2 stole its thunder, as that film also fell faster than anticipated. Overall, the box office fell 13% from last weekend down to $182 million. This is still 29% higher than the same three-day weekend last year. If you include Monday, the weekend pulled in $226 million, which is about 27% higher than last year. Year-to-date, 2018 has a 8.3% / $370 million lead over 2017 at $4.79 billion to $4.42 billion. That lead will shrink in the next couple of weeks, but overall, 2018 is looking really healthy. More...

Weekend Predictions: Will the Latest Star Wars Release Open Solo or So High?

May 24th, 2018

Solo: A Star Wars Story

Memorial Day long weekend is usually a great weekend to open a big release. However, this year, Solo: A Star Wars Story is the wide release of the weekend. It will obviously open in first place, but how will it compare to the recent releases in the Star Wars franchise? Deadpool 2 will have no trouble earning second place and could by the end of the weekend be in the black. (It depends heavily on how much it cost to advertise, but I think its combined budget is around $200 million.) The only other film expected to make a dent at the box office is Avengers: Infinity War, which has already earned $600 million domestically. This weekend last year, Pirates of the Caribbean: Dead Men Tell No Tales opened in first place with $62.98 million / $78.48 million. There are some who think Solo will double that. I’m not that bullish, but I do think Solo will lead 2018 to an easy win in the year-over-year competition. More...

Weekend Wrap-Up: Deadpool Dominates Box Office, But Can’t Compete with Original

May 22nd, 2018

Deadpool 2

Deadpool 2 didn’t live up to expectations at the box office, but you can’t really complain about a $125.51 million opening weekend. The other new releases were Book Club, which did acceptable business, while the less said about Show Dogs’ debut the better. Overall, the box office rose 51% from last weekend earning $209 million. This is 69% higher than the same weekend last year. Year-to-date, 2018 is now ahead of 2017 by a margin of $290 million or 7.0% at $4.49 billion to $4.20 billion. Because Infinity War opened a week earlier than usual, it has been hard to compare the overall box office, but now it is safe to say 2018 has a sizable lead over 2017, one that should grow next weekend as well. More...

Weekend Estimates: Deadpool Has Surprisingly Short Legs, Still Dominates with $125 million

May 20th, 2018

Deadpool 2

Deadpool 2 broke records during its previews and stumbled a little on Friday, before finishing the weekend with an estimated $125 million. That’s still a fantastic result, more than the $110 million it reportedly cost to make, and more than the total box office earned this weekend last year. That said, it is way below the $150 million many thought it would earn after the preview numbers were announced. This isn’t as good as Deadpool’s opening weekend; however, that film benefited from Valentine’s day landing on Sunday, while this film will get some help next weekend, as it is Memorial Day long weekend. Furthermore, both films earned nearly identical reviews and both films earned an A from CinemaScore, so this film's legs should be decent. We will have a better idea where it will end up next weekend. More...

Friday Estimates: Deadpool Stumbles a Bit, but Still Earns $53.3 million

May 19th, 2018

Deadpool 2

Deadpool 2 dominated the box office chart on Friday earning $53.3 million. However this is weaker than expected after it broke the record for previews by an R-rated film. After the film crushed that record, it looked like it would earn $150 million during its opening weekend. However, after earning $53.3 million on Friday, it looks like it won’t even match the original Deadpool’s opening weekend haul of $132.43 million. Granted, it should be close with $132 million and this is still a fantastic start, but it could be a bad omen for its legs. On the other hand, the film’s reviews are more than 80% positive and it earned a solid A from CinemaScore. We won’t know if the reviews and word-of-mouth will overtake the Fanboy Effect until the weekend estimates arrive tomorrow helping the film top its predecessor, but it is usually safe to bet on the Fanboy Effect. More...

Thursday Night Previews: The R in R-Rated Stands for Record

May 18th, 2018

Deadpool 2

Deadpool 2 got off to a record-breaking start on Thursday earning $18.6 million during its previews. This is the best previews for an R-rated film, topping It’s previous record of $13.5 million by a truly massive margin. The film’s reviews are excellent for a blockbuster and the film is now on track for $150 million, which was the very high end of expectations. More...

Weekend Predictions: Can Deadpool Come Back to Life?

May 17th, 2018

Deadpool 2

May gets its first monster hit, as Deadpool 2 debuts in theaters this weekend. The film is earning impressive reviews and was widely expected to top the original's opening weekend. Neither of the two other new releases are expected to compete for first place, or even second place, as Avengers: Infinity War has that locked down. Book Club should open in third place with more than $10 million, but that’s not a guarantee. Meanwhile, Show Dogs’ buzz is so quiet that I’m have trouble coming up with a prediction. This weekend last year, Alien: Covenant opened in first place, but with only $36.16 million. If Deadpool 2 doesn’t top that opening night, then I will be shocked. In fact, Deadpool 2 should earn more by itself than the total box office from this weekend last year. More...

2018 Preview: May

May 1st, 2018

Solo: A Star Wars Story

April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/01 - $3,595   9 $399   $3,595 1
2018/06/08 - $1,171 -67% 2 $586   $5,545 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/6/2018 $289,757 203 208 993 $1,363,408 8/30/2018
Bahrain 5/31/2018 $7,009 8 8 13 $19,305 1/1/2019
China 7/20/2018 $1,200,000 21409 21409 21409 $2,177,428 8/10/2018
Egypt 5/31/2018 $3,138 12 12 25 $10,542 1/1/2019
Hungary 6/14/2018 $93,435 52 67 341 $512,152 11/20/2018
Iraq 5/31/2018 $1,955 5 6 12 $5,194 1/1/2019
Italy 5/11/2018 $693,446 0 0 0 $1,681,987 9/7/2018
Jordan 5/31/2018 $3,980 5 6 11 $11,769 1/1/2019
Kuwait 5/31/2018 $21,370 12 12 13 $31,281 1/1/2019
Lebanon 5/31/2018 $14,782 13 15 46 $53,714 1/1/2019
Lithuania 6/29/2018 $33,689 120 120 323 $100,491 8/15/2018
Netherlands 7/13/2018 $85,284 690 690 1609 $1,194,256 11/2/2018
New Zealand 7/6/2018 $10,185 57 57 180 $122,123 7/31/2018
North America 5/18/2018 $6,023,972 3,212 3,212 10,942 $17,744,685 10/12/2021
Oman 5/31/2018 $3,595 9 9 11 $5,545 1/1/2019
Poland 6/1/2018 $852,675 152 163 1174 $2,897,791 1/1/2019
Portugal 8/3/2018 $10,521 29 29 105 $57,469 10/5/2018
Qatar 5/31/2018 $15,060 11 11 20 $53,161 1/1/2019
Romania 5/25/2018 $0 0 60 377 $495,407 1/1/2019
Russia (CIS) 5/31/2018 $415,758 800 800 1700 $900,702 2/26/2019
Slovakia 6/28/2018 $31,548 63 63 144 $86,600 9/5/2018
Spain 6/22/2018 $281,149 339 360 1468 $1,471,920 12/23/2018
Sweden 8/17/2018 $6,809 27 27 36 $10,578 8/28/2018
United Arab Emirates 5/31/2018 $77,309 44 44 84 $185,689 1/1/2019
United Kingdom 5/25/2018 $727,861 511 517 2673 $4,677,834 10/11/2018
 
Rest of World $4,143,967
 
Worldwide Total$40,014,998 10/12/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Will Arnett    Frank
Chris ‘Ludacris’ Bridges    Max
Jordin Sparks    Daisy
Gabriel Iglesias    Sprinkles
Stanley Tucci    Philippe
Alan Cumming    Dante

Supporting Cast

Natasha Lyonne    Mattie
Shaquille O'Neal    Karma
Omar Chaparro    Senor Gabriel
Oliver Tompsett    Chauncey
Andy Beckwith    Berne

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Raja Gosnell    Director
Max Botkin    Screenwriter
Marc Hyman    Screenwriter
Deepak Nayar    Producer
Philip von Alvensleben    Producer
Tom Ortenberg    Executive Producer
Nik Bower    Executive Producer
Raja Gosnell    Executive Producer
Max Botkin    Executive Producer
Scott Lambert    Executive Producer
Kassee Whiting    Executive Producer
Yu-Fai Suen    Executive Producer
Robert Norris    Executive Producer
Norman Merry    Executive Producer
Paul Sarony    Co-Producer
David Mackie    Director of Photography
David Freeman    Editor
Sabrina Plisco    Editor
Heitor Pereira    Composer
Amanda McArthur    Production Designer
Claire Finlay Thompson    Costume Designer
Michelle Guish    Casting Director