Pride and Prejudice and Zombies (2016)

Pride and Prejudice and Zombies poster
Theatrical Performance
Domestic Box Office $10,907,291Details
International Box Office $5,731,009Details
Worldwide Box Office $16,638,300
Home Market Performance
Est. Domestic DVD Sales $2,908,669 Details
Est. Domestic Blu-ray Sales $3,460,851 Details
Total Est. Domestic Video Sales $6,369,520
Further financial details...

Synopsis

A zombie outbreak has fallen upon the land in Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield.

Metrics

Opening Weekend:$5,324,240 (48.8% of total gross)
Legs:2.05 (domestic box office/biggest weekend)
Domestic Share:65.6% (domestic box office/worldwide)
Production Budget:$28,000,000 (worldwide box office is 0.6 times production budget)
Theater counts:2,931 opening theaters/2,931 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $13,593,127

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 5th, 2016 (Wide) by Sony Pictures
International Releases: February 4th, 2016 (Wide) (Argentina)
February 4th, 2016 (Wide) (Aruba)
February 4th, 2016 (Wide) (Curacao)
February 4th, 2016 (Wide) (Dominican Republic)
February 4th, 2016 (Wide) (Italy)
... Show all releases
Video Release: May 10th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for zombie violence and action, and brief suggestive material.
(Rating bulletin 2396 (Cert #49964), 10/21/2015)
Running Time: 107 minutes
Comparisons: vs. Abraham Lincoln: Vampire Hunter
Create your own comparison chart…
Keywords: Zombies, Romance, 1800s, Set in England, Horror Comedy
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Cross Creek Pictures, Lionsgate, Sierra Pictures, QC Entertainment, Allison Shearmur, Handsomecharlie Films, MadRiver Pictures, Head Gear Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day) 152 $5,324,240 Feb 5, 2016 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 272 $6,725,682 Feb 5, 2016 3
Super Bowl (Opening, 3-Day) 41 $5,324,240 Feb 5, 2016 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 53 $6,725,682 Feb 5, 2016 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 6 $5,324,240   2,931 $1,817   $5,324,240 1
Feb 12, 2016 13 $2,561,107 -52% 2,931 $874   $9,452,304 2
Feb 19, 2016 30 $307,443 -88% 476 $646   $10,714,293 3
Feb 26, 2016 41 $88,863 -71% 122 $728   $10,907,291 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 4, 2016 P $300,000     0     $300,000  
Feb 5, 2016 5 $2,038,355     2,931 $695   $2,038,355 1
Feb 6, 2016 8 $2,350,304 +15%   2,931 $802   $4,388,659 2
Feb 7, 2016 5 $935,581 -60%   2,931 $319   $5,324,240 3
Feb 8, 2016 7 $429,139 -54%   2,931 $146   $5,753,379 4
Feb 9, 2016 7 $506,836 +18%   2,931 $173   $6,260,215 5
Feb 10, 2016 8 $347,756 -31%   2,931 $119   $6,607,971 6
Feb 11, 2016 7 $283,226 -19%   2,931 $97   $6,891,197 7
Feb 12, 2016 12 $575,265 +103% -72% 2,931 $196   $7,466,462 8
Feb 13, 2016 13 $920,746 +60% -61% 2,931 $314   $8,387,208 9
Feb 14, 2016 13 $1,065,096 +16% +14% 2,931 $363   $9,452,304 10
Feb 15, 2016 13 $411,676 -61% -4% 2,931 $140   $9,863,980 11
Feb 16, 2016 12 $223,502 -46% -56% 2,931 $76   $10,087,482 12
Feb 17, 2016 11 $171,405 -23% -51% 2,931 $58   $10,258,887 13
Feb 18, 2016 11 $147,963 -14% -48% 2,931 $50   $10,406,850 14
Feb 19, 2016 - $85,301 -42% -85% 476 $179   $10,492,151 15
Feb 20, 2016 - $142,887 +68% -84% 476 $300   $10,635,038 16
Feb 21, 2016 - $79,255 -45% -93% 476 $167   $10,714,293 17
Feb 22, 2016 - $26,579 -66% -94% 476 $56   $10,740,872 18
Feb 23, 2016 - $31,709 +19% -86% 476 $67   $10,772,581 19
Feb 24, 2016 - $25,039 -21% -85% 476 $53   $10,797,620 20
Feb 25, 2016 - $20,808 -17% -86% 476 $44   $10,818,428 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 6 $6,891,197   2,931 $2,351   $6,891,197 1
Feb 12, 2016 13 $3,515,653 -49% 2,931 $1,199   $10,406,850 2
Feb 19, 2016 30 $411,578 -88% 476 $865   $10,818,428 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/4/2016 $55,600 53 53 72 $104,778 12/31/2018
Aruba 2/4/2016 $0 0 3 3 $3,433 12/31/2018
Australia 2/26/2016 $130,777 119 119 218 $250,241 6/9/2016
Belgium 4/6/2016 $37,975 19 19 31 $52,708 6/9/2016
Brazil 2/25/2016 $67,396 73 73 114 $101,622 6/9/2016
Bulgaria 2/5/2016 $9,168 39 39 74 $21,626 12/31/2018
Cambodia 2/18/2016 $0 0 4 4 $15,103 12/31/2018
Colombia 2/18/2016 $62,085 82 82 90 $87,924 12/31/2018
Curacao 2/4/2016 $314 2 2 4 $1,539 12/31/2018
Dominican Republic 2/4/2016 $0 0 11 11 $16,868 12/31/2018
Ecuador 2/5/2016 $19,055 30 30 92 $105,908 12/31/2018
Germany 6/9/2016 $90,951 173 173 422 $175,789 6/28/2016
Hong Kong 3/10/2016 $188,340 66 66 93 $346,624 6/9/2016
Iraq 2/11/2016 $5,747 3 3 4 $9,080 12/31/2018
Italy 2/4/2016 $319,568 201 201 262 $499,839 6/9/2016
Kuwait 2/11/2016 $49,085 11 11 13 $72,046 12/31/2018
Lebanon 2/11/2016 $9,147 4 4 5 $20,784 12/31/2018
Malaysia 2/18/2016 $240,688 98 98 196 $474,649 6/9/2016
Mexico 2/5/2016 $167,620 0 171 352 $373,430 6/9/2016
Netherlands 2/18/2016 $22,296 74 74 74 $22,296 6/9/2016
Oman 2/11/2016 $16,936 8 8 13 $25,261 12/31/2018
Peru 3/3/2016 $41,867 31 31 34 $66,053 12/31/2018
Philippines 2/5/2016 $0 0 15 15 $132,831 12/31/2018
Portugal 3/17/2016 $24,878 31 31 70 $60,010 6/9/2016
Romania 2/19/2016 $25,550 50 50 97 $42,843 12/31/2018
Russia (CIS) 2/18/2016 $219,643 615 615 615 $532,267 12/31/2018
Singapore 2/11/2016 $76,865 14 14 19 $157,086 6/9/2016
South Africa 4/1/2016 $22,429 30 30 30 $22,429 6/9/2016
South Korea 5/25/2016 $30,238 137 137 137 $64,058 9/10/2018
Spain 4/1/2016 $111,993 168 168 294 $181,748 6/9/2016
Suriname 3/3/2016 $479 1 1 1 $479 12/31/2018
Sweden 3/4/2016 $0 0 18 21 $35,987 6/9/2016
Thailand 2/4/2016 $176,569 120 120 208 $308,340 6/9/2016
Trinidad 3/9/2016 $3,681 6 6 6 $3,681 12/31/2018
Turkey 2/26/2016 $32,921 106 106 119 $54,841 12/31/2018
Ukraine 2/18/2016 $33,431 145 145 145 $33,431 12/31/2018
United Arab Emirates 2/11/2016 $132,893 42 42 52 $175,733 12/31/2018
United Kingdom 2/12/2016 $516,836 332 332 604 $1,035,698 6/9/2016
Uruguay 2/4/2016 $4,054 7 7 12 $7,351 12/31/2018
Vietnam 2/14/2016 $34,595 67 67 67 $34,595 12/31/2018
 
International Total$5,731,009 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016373,741 73,741$1,103,165$1,103,1654
Jun 12, 20161016,383-78% 90,124$241,649$1,344,8145
Jun 19, 20162614,724-10% 104,848$194,357$1,539,1716

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016366,138 66,138$1,330,025$1,330,0254
Jun 12, 20161310,323-84% 76,461$200,002$1,530,0275
Jul 17, 20161413,407 103,862$261,794$2,135,53110

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Lily James    Elizabeth Bennet
Sam Riley    Mr. Darcy
Jack Huston    George Wickham
Douglas Booth    Mr. Bingley
Matt Smith    Parson Collins
Lena Headey    Lady Catherine de Bourgh

Supporting Cast

Bella Heathcote    Jane Bennet
Charles Dance    Mr. Bennet
Ellie Bamber    Lydia Bennet
Millie Brady    Mary Bennet
Suki Waterhouse    Kitty Bennet
Sally Phillips    Mrs. Bennet
Emma Greenwell    Caroline Bingley
Eva Bell    Louisa
Aisling Loftus    Charlotte
Charlie Anson    Mr. Hurst
Tom Lorcan    Lt. Denny
Robert Fyfe    Butler Edwin
Dan Cohen    Young Soldier
Nicholas Murchie    Franklin
Kate Doherty    Mrs. Kenicot
Pippa Haywood    Mrs. Long
Bessie Cursons    Lady Anne de Bourgh
Morfydd Clark    Georgiana
Dolly Wells    Mrs. Featherstone
Hermione Corfield    Cassandra
Pooky Quesnel    Mrs. Phillips
Janet Henfrey    Dowager
Richard Braine    Black Suited Man
Robert Morgan    Mr. Phillips
Jonathan Oliver    Priest
Angus Kennedy    Mr. Kingston
Charlie Ames    Eldest Zombie Boy
Michael Cole    Sentry 2
Nathan Whitfield    Sentry 1
Rob Callender    Subordinate Officer
Euan MacNaughton    Physician
Rebecca Scott    Penny McGregor
Dominic Borrelli    Mortician

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Burr Steers    Director
Burr Steers    Screenwriter
Seth Grahame-Smith    Based on the novel by
Jane Austen    Based on the novel by
Brian Oliver    Producer
Allison Shearmur    Producer
Sean McKittrick    Producer
Natalie Portman    Producer
Annette Savitch    Producer
Tyler Thompson    Producer
Marc Butan    Producer
Lauren Selig    Executive Producer
Sue Baden-Powell    Executive Producer
Compton Ross    Executive Producer
Phil Hunt    Executive Producer
Edward H. Hamm, Jr.    Executive Producer
Aleen Keshishian    Executive Producer
Nick Meyer    Executive Producer
Kimberly Fox    Executive Producer
Remi Adefarasin    Director of Photography
Dave Warren    Production Designer
Padraic McKinley    Editor
Fernando Velazquez    Composer
Julian Day    Costume Designer
John Papsidera    Casting Director
Des Hamilton    Casting Director
Sue Baden-Powell    Unit Production Manager
Joan Schneider    Unit Production Manager
Matthew Penry-Davey    First Assistant Director
Charlie Reed    Second Assistant Director
David Borgenicht    Co-Producer
Stephen Meinen    Co-Producer
Martyn Zub    Supervising Sound Editor
John Casali    Sound Mixer
Matthew Woolley    First Assistant Editor
Steve Carter    Supervising Art Director
Will Coubrough    Art Director
David Doran    Art Director
Naomi Moore    Set Decorator
San Davey    Script Supervisor
Linda Case    Script Supervisor
Dulcie Scott    Costume Supervisor
Peta Dunstall    Hairstylist
Wakana Yoshihara    Make-up and Hair Designer
Chris Reynolds    Special Effects Supervisor
Mike March    Special Effects Coordinator
Michael Barry    Re-recording Mixer
Martyn Zub    Re-recording Mixer
Sean Garnhart    Sound Effects Editor
Heather Gross    Sound Effects Editor
John Davis    Music Editor
Laura Katz    Music Supervisor
James Gibb    Executive Music Producer
Darren Blumenthal    Executive Music Producer
Simon Stanley Clamp    Visual Effects Supervisor
John Bair    Visual Effects Supervisor
Siddhartha Jayakar    Visual Effects Supervisor
Courtney Vanderslice Law    Visual Effects Executive Producer
Vivian Connolly    Visual Effects Executive Producer
Helene Becourt    Visual Effects Producer
Renuka Ballal    Visual Effects Producer
Apoorva Kumar    Visual Effects Producer
Rishi Rao    Visual Effects Producer
Ishan Das    Visual Effects Producer
Sarah Dowland    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases. More...

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April 14th, 2016

Vita Activa: The Spirit of Hannah Arendt

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Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Estimates: Panda holds off Caesar on Super Bowl weekend

February 7th, 2016

Kung Fu Panda 3

Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit. More...

Friday Estimates: Panda Buries Caesar

February 6th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise. More...

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February 5th, 2016

Hail, Caesar!

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February 4th, 2016

Hail, Caesar!

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February 1st, 2016

Deadpool

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Contest: Seize Your Prizes

January 29th, 2016

Hail, Caesar!

There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A zombie outbreak has fallen upon the land in Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield.

Metrics

Opening Weekend:$5,324,240 (48.8% of total gross)
Legs:2.05 (domestic box office/biggest weekend)
Domestic Share:65.6% (domestic box office/worldwide)
Production Budget:$28,000,000 (worldwide box office is 0.6 times production budget)
Theater counts:2,931 opening theaters/2,931 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $13,593,127

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: February 5th, 2016 (Wide) by Sony Pictures
International Releases: February 4th, 2016 (Wide) (Argentina)
February 4th, 2016 (Wide) (Aruba)
February 4th, 2016 (Wide) (Curacao)
February 4th, 2016 (Wide) (Dominican Republic)
February 4th, 2016 (Wide) (Italy)
... Show all releases
Video Release: May 10th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for zombie violence and action, and brief suggestive material.
(Rating bulletin 2396 (Cert #49964), 10/21/2015)
Running Time: 107 minutes
Comparisons: vs. Abraham Lincoln: Vampire Hunter
Create your own comparison chart…
Keywords: Zombies, Romance, 1800s, Set in England, Horror Comedy
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Cross Creek Pictures, Lionsgate, Sierra Pictures, QC Entertainment, Allison Shearmur, Handsomecharlie Films, MadRiver Pictures, Head Gear Films
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day) 152 $5,324,240 Feb 5, 2016 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 272 $6,725,682 Feb 5, 2016 3
Super Bowl (Opening, 3-Day) 41 $5,324,240 Feb 5, 2016 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 53 $6,725,682 Feb 5, 2016 3

Lead Ensemble Members

Lily James    Elizabeth Bennet
Sam Riley    Mr. Darcy
Jack Huston    George Wickham
Douglas Booth    Mr. Bingley
Matt Smith    Parson Collins
Lena Headey    Lady Catherine de Bourgh

Supporting Cast

Bella Heathcote    Jane Bennet
Charles Dance    Mr. Bennet
Ellie Bamber    Lydia Bennet
Millie Brady    Mary Bennet
Suki Waterhouse    Kitty Bennet
Sally Phillips    Mrs. Bennet
Emma Greenwell    Caroline Bingley
Eva Bell    Louisa
Aisling Loftus    Charlotte
Charlie Anson    Mr. Hurst
Tom Lorcan    Lt. Denny
Robert Fyfe    Butler Edwin
Dan Cohen    Young Soldier
Nicholas Murchie    Franklin
Kate Doherty    Mrs. Kenicot
Pippa Haywood    Mrs. Long
Bessie Cursons    Lady Anne de Bourgh
Morfydd Clark    Georgiana
Dolly Wells    Mrs. Featherstone
Hermione Corfield    Cassandra
Pooky Quesnel    Mrs. Phillips
Janet Henfrey    Dowager
Richard Braine    Black Suited Man
Robert Morgan    Mr. Phillips
Jonathan Oliver    Priest
Angus Kennedy    Mr. Kingston
Charlie Ames    Eldest Zombie Boy
Michael Cole    Sentry 2
Nathan Whitfield    Sentry 1
Rob Callender    Subordinate Officer
Euan MacNaughton    Physician
Rebecca Scott    Penny McGregor
Dominic Borrelli    Mortician

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Burr Steers    Director
Burr Steers    Screenwriter
Seth Grahame-Smith    Based on the novel by
Jane Austen    Based on the novel by
Brian Oliver    Producer
Allison Shearmur    Producer
Sean McKittrick    Producer
Natalie Portman    Producer
Annette Savitch    Producer
Tyler Thompson    Producer
Marc Butan    Producer
Lauren Selig    Executive Producer
Sue Baden-Powell    Executive Producer
Compton Ross    Executive Producer
Phil Hunt    Executive Producer
Edward H. Hamm, Jr.    Executive Producer
Aleen Keshishian    Executive Producer
Nick Meyer    Executive Producer
Kimberly Fox    Executive Producer
Remi Adefarasin    Director of Photography
Dave Warren    Production Designer
Padraic McKinley    Editor
Fernando Velazquez    Composer
Julian Day    Costume Designer
John Papsidera    Casting Director
Des Hamilton    Casting Director
Sue Baden-Powell    Unit Production Manager
Joan Schneider    Unit Production Manager
Matthew Penry-Davey    First Assistant Director
Charlie Reed    Second Assistant Director
David Borgenicht    Co-Producer
Stephen Meinen    Co-Producer
Martyn Zub    Supervising Sound Editor
John Casali    Sound Mixer
Matthew Woolley    First Assistant Editor
Steve Carter    Supervising Art Director
Will Coubrough    Art Director
David Doran    Art Director
Naomi Moore    Set Decorator
San Davey    Script Supervisor
Linda Case    Script Supervisor
Dulcie Scott    Costume Supervisor
Peta Dunstall    Hairstylist
Wakana Yoshihara    Make-up and Hair Designer
Chris Reynolds    Special Effects Supervisor
Mike March    Special Effects Coordinator
Michael Barry    Re-recording Mixer
Martyn Zub    Re-recording Mixer
Sean Garnhart    Sound Effects Editor
Heather Gross    Sound Effects Editor
John Davis    Music Editor
Laura Katz    Music Supervisor
James Gibb    Executive Music Producer
Darren Blumenthal    Executive Music Producer
Simon Stanley Clamp    Visual Effects Supervisor
John Bair    Visual Effects Supervisor
Siddhartha Jayakar    Visual Effects Supervisor
Courtney Vanderslice Law    Visual Effects Executive Producer
Vivian Connolly    Visual Effects Executive Producer
Helene Becourt    Visual Effects Producer
Renuka Ballal    Visual Effects Producer
Apoorva Kumar    Visual Effects Producer
Rishi Rao    Visual Effects Producer
Ishan Das    Visual Effects Producer
Sarah Dowland    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases. More...

Theater Averages: Vita Activa has a Spirited Opening with $13,244 / $18,468

April 14th, 2016

Vita Activa: The Spirit of Hannah Arendt

Vita Activa: The Spirit of Hannah Arendt was the only film in the $10,000 club with an opening of $13,244 over the weekend in one theater. From Wednesday through Sunday, the film pulled in $18,468. More...

Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Estimates: Panda holds off Caesar on Super Bowl weekend

February 7th, 2016

Kung Fu Panda 3

Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit. More...

Friday Estimates: Panda Buries Caesar

February 6th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise. More...

Thursday Night Previews: Hail Storms into Theaters

February 5th, 2016

Hail, Caesar!

Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly. More...

Weekend Predictions: Hail, Holdovers!

February 4th, 2016

Hail, Caesar!

It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year. More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Contest: Seize Your Prizes

January 29th, 2016

Hail, Caesar!

There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 6 $5,324,240   2,931 $1,817   $5,324,240 1
Feb 12, 2016 13 $2,561,107 -52% 2,931 $874   $9,452,304 2
Feb 19, 2016 30 $307,443 -88% 476 $646   $10,714,293 3
Feb 26, 2016 41 $88,863 -71% 122 $728   $10,907,291 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 4, 2016 P $300,000     0     $300,000  
Feb 5, 2016 5 $2,038,355     2,931 $695   $2,038,355 1
Feb 6, 2016 8 $2,350,304 +15%   2,931 $802   $4,388,659 2
Feb 7, 2016 5 $935,581 -60%   2,931 $319   $5,324,240 3
Feb 8, 2016 7 $429,139 -54%   2,931 $146   $5,753,379 4
Feb 9, 2016 7 $506,836 +18%   2,931 $173   $6,260,215 5
Feb 10, 2016 8 $347,756 -31%   2,931 $119   $6,607,971 6
Feb 11, 2016 7 $283,226 -19%   2,931 $97   $6,891,197 7
Feb 12, 2016 12 $575,265 +103% -72% 2,931 $196   $7,466,462 8
Feb 13, 2016 13 $920,746 +60% -61% 2,931 $314   $8,387,208 9
Feb 14, 2016 13 $1,065,096 +16% +14% 2,931 $363   $9,452,304 10
Feb 15, 2016 13 $411,676 -61% -4% 2,931 $140   $9,863,980 11
Feb 16, 2016 12 $223,502 -46% -56% 2,931 $76   $10,087,482 12
Feb 17, 2016 11 $171,405 -23% -51% 2,931 $58   $10,258,887 13
Feb 18, 2016 11 $147,963 -14% -48% 2,931 $50   $10,406,850 14
Feb 19, 2016 - $85,301 -42% -85% 476 $179   $10,492,151 15
Feb 20, 2016 - $142,887 +68% -84% 476 $300   $10,635,038 16
Feb 21, 2016 - $79,255 -45% -93% 476 $167   $10,714,293 17
Feb 22, 2016 - $26,579 -66% -94% 476 $56   $10,740,872 18
Feb 23, 2016 - $31,709 +19% -86% 476 $67   $10,772,581 19
Feb 24, 2016 - $25,039 -21% -85% 476 $53   $10,797,620 20
Feb 25, 2016 - $20,808 -17% -86% 476 $44   $10,818,428 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 6 $6,891,197   2,931 $2,351   $6,891,197 1
Feb 12, 2016 13 $3,515,653 -49% 2,931 $1,199   $10,406,850 2
Feb 19, 2016 30 $411,578 -88% 476 $865   $10,818,428 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/4/2016 $55,600 53 53 72 $104,778 12/31/2018
Aruba 2/4/2016 $0 0 3 3 $3,433 12/31/2018
Australia 2/26/2016 $130,777 119 119 218 $250,241 6/9/2016
Belgium 4/6/2016 $37,975 19 19 31 $52,708 6/9/2016
Brazil 2/25/2016 $67,396 73 73 114 $101,622 6/9/2016
Bulgaria 2/5/2016 $9,168 39 39 74 $21,626 12/31/2018
Cambodia 2/18/2016 $0 0 4 4 $15,103 12/31/2018
Colombia 2/18/2016 $62,085 82 82 90 $87,924 12/31/2018
Curacao 2/4/2016 $314 2 2 4 $1,539 12/31/2018
Dominican Republic 2/4/2016 $0 0 11 11 $16,868 12/31/2018
Ecuador 2/5/2016 $19,055 30 30 92 $105,908 12/31/2018
Germany 6/9/2016 $90,951 173 173 422 $175,789 6/28/2016
Hong Kong 3/10/2016 $188,340 66 66 93 $346,624 6/9/2016
Iraq 2/11/2016 $5,747 3 3 4 $9,080 12/31/2018
Italy 2/4/2016 $319,568 201 201 262 $499,839 6/9/2016
Kuwait 2/11/2016 $49,085 11 11 13 $72,046 12/31/2018
Lebanon 2/11/2016 $9,147 4 4 5 $20,784 12/31/2018
Malaysia 2/18/2016 $240,688 98 98 196 $474,649 6/9/2016
Mexico 2/5/2016 $167,620 0 171 352 $373,430 6/9/2016
Netherlands 2/18/2016 $22,296 74 74 74 $22,296 6/9/2016
Oman 2/11/2016 $16,936 8 8 13 $25,261 12/31/2018
Peru 3/3/2016 $41,867 31 31 34 $66,053 12/31/2018
Philippines 2/5/2016 $0 0 15 15 $132,831 12/31/2018
Portugal 3/17/2016 $24,878 31 31 70 $60,010 6/9/2016
Romania 2/19/2016 $25,550 50 50 97 $42,843 12/31/2018
Russia (CIS) 2/18/2016 $219,643 615 615 615 $532,267 12/31/2018
Singapore 2/11/2016 $76,865 14 14 19 $157,086 6/9/2016
South Africa 4/1/2016 $22,429 30 30 30 $22,429 6/9/2016
South Korea 5/25/2016 $30,238 137 137 137 $64,058 9/10/2018
Spain 4/1/2016 $111,993 168 168 294 $181,748 6/9/2016
Suriname 3/3/2016 $479 1 1 1 $479 12/31/2018
Sweden 3/4/2016 $0 0 18 21 $35,987 6/9/2016
Thailand 2/4/2016 $176,569 120 120 208 $308,340 6/9/2016
Trinidad 3/9/2016 $3,681 6 6 6 $3,681 12/31/2018
Turkey 2/26/2016 $32,921 106 106 119 $54,841 12/31/2018
Ukraine 2/18/2016 $33,431 145 145 145 $33,431 12/31/2018
United Arab Emirates 2/11/2016 $132,893 42 42 52 $175,733 12/31/2018
United Kingdom 2/12/2016 $516,836 332 332 604 $1,035,698 6/9/2016
Uruguay 2/4/2016 $4,054 7 7 12 $7,351 12/31/2018
Vietnam 2/14/2016 $34,595 67 67 67 $34,595 12/31/2018
 
International Total$5,731,009 12/31/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016373,741 73,741$1,103,165$1,103,1654
Jun 12, 20161016,383-78% 90,124$241,649$1,344,8145
Jun 19, 20162614,724-10% 104,848$194,357$1,539,1716

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016366,138 66,138$1,330,025$1,330,0254
Jun 12, 20161310,323-84% 76,461$200,002$1,530,0275
Jul 17, 20161413,407 103,862$261,794$2,135,53110

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.