Netherlands Box Office for Overlord (2018)

← Go to main Overlord page

Overlord
Theatrical Performance (US$)
Netherlands Box Office $524,965Details
Worldwide Box Office $39,178,189Details
Home Market Performance
North America DVD Sales $1,450,904 Details
North America Blu-ray Sales $4,347,435 Details
Total North America Video Sales $5,798,339
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

With only hours until D-Day, a team of American paratroopers drop into Nazi-occupied France to carry out a mission that’s crucial to the invasion's success. Tasked with destroying a radio transmitter atop a fortified church, the desperate soldiers join forces with a young French villager to penetrate the walls and take down the tower. But, in a mysterious Nazi lab beneath the church, the outnumbered G.I.s come face-to-face with enemies unlike any the world has ever seen.

Metrics

Movie Details

Production Budget:$38,000,000
Netherlands Releases: November 9th, 2018 (Wide)
Video Release: February 19th, 2019 by Paramount Home Video
MPAA Rating: R for strong bloody violence, disturbing images, language, and brief sexual content.
(Rating bulletin 2526 (Cert #51550), 5/9/2018)
Running Time: 109 minutes
Keywords: World War II, Nazis, Scientific Experiment Gone Awry, Behind Enemy Lines, Occult, Super Soldiers, IMAX: DMR, Action Horror, 1940s
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Paramount Pictures, Bad Robot
Production Countries: United States
Languages: English

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Featured Blu-ray and DVD Review: Overlord

February 18th, 2019

Overlord

Overlord was one of two films that came out this past fall that looked stylish and engaging, but failed to find an audience in theaters. The other film was Bad Times at the El Royale, which I loved. Will I be as entertained this time around? Or were audiences right to stay away? More...

Weekend Wrap-Up: Grindelwald Debuts on Top, but Pales Compared to Harry Potter

November 19th, 2018

Fantastic Beasts: The Crimes of Grindelwald

As expected, Fantastic Beasts: The Crimes of Grindelwald topped the weekend box office chart; however, it failed to meet expectations by about 10%. Additionally, neither Instant Family nor Widows matched expectations and this hurt the overall box office, which fell 2.9% from last weekend to $172 million. More importantly, this is 14% lower than the same weekend last year. Year-to-date, 2018 has reached $10 billion and now has a running tally of $10.18 billion. This is 11% or $1.01 billion ahead of last year’s pace. More...

Weekend Wrap-Up: Grinch Matches Expectations, Incredibles’ Record Safe for Now

November 12th, 2018

The Grinch

The weekend box office had a few success stories and a couple of misses. Dr Seuss’ The Grinch was one of the success stories with $67.57 million, which matches predictions perfectly. The other two new wide releases were less successful. Overlord did okay, but it will need a lot of help to break even any time soon. On the other hand, The Girl in the Spider’s Web likely won’t break even. The overall box office rose 15% from last weekend hitting $167 million. This is 11% more from the same weekend last year. I really wasn’t expecting 2018’s losing streak to end after just one weekend. This is great news. 2018’s lead over 2017 is practically the same as it was last weekend at $1.01 billion or 11% at $9.95 billion to $8.94 billion. More...

Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note

November 11th, 2018

The Grinch

The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets. More...

Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start

November 10th, 2018

The Grinch

Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget. More...

Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night

November 9th, 2018

The Grinch

Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up. More...

Weekend Prediction: Will Grinch Spread the Holiday Cheer?

November 8th, 2018

The Grinch

Dr Seuss’ The Grinch could be the biggest hit of the month, if it gets off to a fast start this weekend. There is some good news, as it could break The Incredibles’ record for November weekend for an animated film. This weekend, The Girl in the Spider’s Web and Overlord are both aiming to become midlevel hits. I’m not sure either will get there. Their buzz hasn’t grown as their release date has neared, which is troubling. This does mean Bohemian Rhapsody will very likely earn a solid second place, while The Nutcracker and the Four Realms has a shot at third. This weekend last year, Thor: Ragnarok earned more than $57 million during its second weekend of release, while the combined openings of Daddy’s Home 2 and Murder on the Orient Express were even better. 2018 should be better on top, but it won’t have the same depth leading to a loss in the year-over-year comparison. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

Overlord Trailer

July 18th, 2018

World War II horror movie opens October 26 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/09 5 $217,083   69 $3,146   $217,083 1
2018/11/16 7 $107,875 -50% 70 $1,541   $395,645 2
2018/11/23 14 $49,214 -54% 54 $911   $475,847 3
2018/11/30 21 $20,259 -59% 40 $506   $509,883 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/9/2018 $71,237 108 108 193 $114,815 12/16/2018
Australia 12/7/2018 $252,823 180 180 579 $530,478 1/1/2019
Brazil 11/9/2018 $378,590 400 400 645 $763,575 12/16/2018
France 11/23/2018 $816,889 0 270 472 $1,591,565 12/16/2018
Germany 11/9/2018 $333,081 315 315 821 $696,126 12/16/2018
Hong Kong 11/9/2018 $387,000 52 52 52 $387,000 11/12/2018
Indonesia 11/9/2018 $831,597 281 281 281 $987,829 1/1/2019
Italy 11/9/2018 $327,906 237 237 262 $552,339 12/16/2018
Lithuania 11/9/2018 $9,636 44 44 48 $15,303 11/22/2018
Malaysia 11/9/2018 $420,000 104 104 104 $420,000 11/12/2018
Mexico 11/9/2018 $591,771 665 665 798 $1,227,679 12/16/2018
Netherlands 11/9/2018 $217,083 69 70 251 $524,965 12/16/2018
North America 11/9/2018 $10,202,108 2,859 2,859 8,038 $21,704,844
Poland 11/30/2018 $85,454 92 92 184 $169,078 12/16/2018
Portugal 11/9/2018 $65,467 58 58 150 $123,036 12/4/2018
Russia (CIS) 11/3/2018 $187,800 149 1411 3495 $2,030,042 1/1/2019
Spain 11/9/2018 $374,542 274 274 853 $868,970 12/16/2018
Taiwan 11/9/2018 $428,769 108 108 156 $1,191,459 12/11/2018
Thailand 11/9/2018 $174,000 64 64 64 $174,000 11/12/2018
Turkey 11/9/2018 $79,262 180 180 334 $187,206 11/29/2018
United Kingdom 11/7/2018 $879,746 421 421 834 $1,669,559 12/16/2018
 
Rest of World $3,248,321
 
Worldwide Total$39,178,189 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Jovan Adepo    Pvt. Ed Boyce
Jacob Anderson    Dawson
Pilou Asbaek    Cpt. Wafner
Iain De Caestecker    Morton Chase
John Magaro    Tibbet
Wyatt Russell    Cpl Ford
Bokeem Woodbine    Sgt. Eldson

Supporting Cast

Mathilde Ollivier    Chloe
Gianny Taufer    Paul
Eva Magyar    Aunt Simone
Erich Redman    Dr. Schmidt
Dominic Applewhite    Jacob Rosenfeld

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Julius Avery    Director
Billy Ray    Screenwriter
Mark L. Smith*    Screenwriter
Billy Ray    Story by
J.J. Abrams    Producer
Lindsey Weber    Producer
Cory Bennett Lewis    Executive Producer
Jo Burn    Executive Producer
Jon Cohen    Executive Producer
Matt Evans    Editor
Jed Kurzel    Composer
Laurie Rose    Director of Photography