Juice (1992)

Juice
Theatrical Performance
Domestic Box Office $20,146,800Details
International Box Office $347Details
Worldwide Box Office $20,147,147
Home Market Performance
Est. Domestic Blu-ray Sales $769,132 Details
Total Est. Domestic Video Sales $769,132
Further financial details...

Metrics

Opening Weekend:$8,085,715 (40.1% of total gross)
Legs:2.49 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,089 opening theaters/1,100 max. theaters, 3.0 weeks average run per theater
Infl. Adj. Dom. BO $52,333,127

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,801-3,900) 3,855 $20,146,800
All Time International Box Office (Rank 31,101-31,200) 31,160 $347
All Time Worldwide Box Office (Rank 5,501-5,600) 5,511 $20,147,147
All Time Domestic Box Office for R Movies (Rank 1,301-1,400) 1,365 $20,146,800
All Time International Box Office for R Movies (Rank 4,001-4,100) 4,066 $347
All Time Worldwide Box Office for R Movies (Rank 1,701-1,800) 1,730 $20,147,147

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: January 17th, 1992 (Wide) by Paramount Pictures
International Releases: September 24th, 1993 (Wide) (New Zealand)
Video Release: June 6th, 2017 by Paramount Home Video
MPAA Rating: R
Running Time: 94 minutes
Comparisons: vs. Menace II Society
Create your own comparison chart…
Keywords: Black Urban, African Americans, Hood Film, Crime Drama, Friends turned Enemies, Death of a Best Friend, Accidental Death
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Island World Productions, Paramount Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 261 $7,167,348 Jan 24, 1992 10
Martin Luther King (All Movies, 3-Day) 162 $8,085,715 Jan 17, 1992 3
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 91 $21,412,531 Jan 17, 1992 3
Martin Luther King (Opening, 3-Day) 61 $8,085,715 Jan 17, 1992 3
Martin Luther King (Opening, 3-Day, Inflation Adjusted) 44 $21,412,531 Jan 17, 1992 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,801-3,900) 3,855 $20,146,800
All Time Domestic Inflation Adjusted Box Office (Rank 3,001-3,100) 3,082 $52,333,127
All Time Domestic Non-Sequel Box Office (Rank 3,201-3,300) 3,210 $20,146,800
Top 1992 Movies at the Domestic Box Office 63 $20,146,800
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 801-900) 808 $20,146,800
All Time Domestic Box Office for Live Action Movies (Rank 3,301-3,400) 3,389 $20,146,800
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 2,001-2,100) 2,038 $20,146,800
All Time Domestic Box Office for Drama Movies (Rank 601-700) 689 $20,146,800
All Time Domestic Box Office for R Movies (Rank 1,301-1,400) 1,365 $20,146,800
All Time Domestic Box Office for Paramount Pictures Movies (Rank 401-500) 403 $20,146,800

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 17, 1992 2 $8,085,715   1,089 $7,425   $8,085,715 1
Jan 24, 1992 10 $2,706,504 -67% 1,100 $2,460   $11,794,533 2
Jan 31, 1992 10 $2,154,600 -20% 1,079 $1,997   $14,762,545 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 17, 1992 2 $9,088,029   1,089 $8,345   $9,088,029 1
Jan 24, 1992 9 $3,519,916 -61% 1,100 $3,200   $12,607,945 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
New Zealand 9/24/1993 $0 0 1 1 $347 9/16/2024
 
International Total$347 9/16/2024

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 31,101-31,200) 31,160 $347
All Time International Non-Sequel Box Office (Rank 29,701-29,800) 29,718 $347
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 2,601-2,700) 2,686 $347
All Time International Box Office for Live Action Movies (Rank 27,101-27,200) 27,136 $347
All Time International Box Office for Contemporary Fiction Movies (Rank 16,201-16,300) 16,264 $347
All Time International Box Office for Drama Movies (Rank 9,601-9,700) 9,630 $347
All Time International Box Office for R Movies (Rank 4,001-4,100) 4,066 $347
All Time International Box Office for Paramount Pictures Movies (Rank 401-500) 405 $347

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 5,501-5,600) 5,511 $20,147,147
All Time Worldwide Non-Sequel Box Office (Rank 4,601-4,700) 4,687 $20,147,147
Top 1992 Movies at the Worldwide Box Office 65 $20,147,147
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 1,001-1,100) 1,038 $20,147,147
All Time Worldwide Box Office for Live Action Movies (Rank 4,701-4,800) 4,789 $20,147,147
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 2,801-2,900) 2,888 $20,147,147
All Time Worldwide Box Office for Drama Movies (Rank 1,101-1,200) 1,184 $20,147,147
All Time Worldwide Box Office for R Movies (Rank 1,701-1,800) 1,730 $20,147,147
All Time Worldwide Box Office for Paramount Pictures Movies (Rank 401-500) 430 $20,147,147

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jun 11, 20171413,134 13,134$141,063$141,0631

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Leading Cast

Omar Epps    Q
Jermaine Hopkins    Steel
Khalil Kain    Raheem
Tupac Shakur    Bishop

Supporting Cast

Cindy Herron    Yolanda
Vincent Laresca    Radames
Samuel L. Jackson    Trip
George O. Gore    Brian
Grace Garland    Q's Mother
Queen Latifah    Ruffhouse M.C.
Idina Harris    Keesha
Victor Campos    Quiles
Eric Payne    Frank
Sharon Cook    Record Store Clerk
Darien Berry    Blizzard
Maggie Rush    Myra
Mark Knox    Contest Auditioner
Rony Clanton    Detective Markham
Mike Badaluco    Detective Kelly
Jacqui Dickerson    Sweets
Pablo Guzman    TV Reporter
Randy Frazier    Steel's Father
LaTanya Richardson    Steel's Mother
Oran Jones    Snappy Nappy Dugout
Mitchell Marchand    Kid at Trip's
Corwin Moore    Sam
Lauren Jones    Raheem's Mother
Birdie M. Hale    Bishop's Grandma
L.B. Williams    Bishop's Father
Donald Faison    Student
Eddie Joe    Bartender
John Patrick McLaughlin    Cop
Norman Douglass    Cop
John DiBenedetto    Cop
Christopher Rubin    Doctor
Juanita Troy-Keitt    Homeless Woman
Ed Lover    Contest Judge
Dr. Dre    Contest Judge
EPMD EPMD    Bar Patron
Erick Sermon    Bar Patron
Parrish J. Smith    Bar Patron

Cameos

Fab 5 Freddy    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ernest Dickerson    Director
David Heyman    Producer
Neal H. Moritz    Producer
Gerard Brown    Screenwriter
Ernest Dickerson    Screenwriter
Ernest Dickerson    Story Creator
Preston Holmes    Co-Producer
Larry Banks    Director of Photography
Lester Cohen    Production Designer
Sam Pollard    Editor
Brunilda Torres    Editor
Hank Shocklee    Composer
The Bomb Squad    Composer
James Bigwood    Associate Producer
Gerard Brown    Associate Producer
Ralph McDaniels    Associate Producer
Randy Fletcher    Assistant Director
Brent Owens    Production Manager
Alyssa Winter    Set Decorator
Donna Berwick    Costume Designer
Jennifer Ruscoe    Costume Supervisor
Jane E. Myers    Costume Supervisor
Franklin D. Stettner    Sound Mixer
Rick Dior    Re-recording Mixer
Wendy Hedin    Supervising Sound Editor
Ray Karpicki    Sound Editor
Beriau Picard    Sound Editor
Frederick Jacobi    Sound Editor
Wendy Hedin    Sound Effects Editor
James Flatto    Music Editor
Kathy Nelson    Music Supervisor
William Griffin    Song Writer
Erick Sermon    Song Writer
Parrish J. Smith    Song Writer
Aaron Hall    Song Writer
Hank Shocklee    Song Writer
Gary G-Wiz    Song Writer
Floyd F. Fisher    Song Writer
Guy Williams    Song Writer
Roosevelt Simmons    Song Writer
Jaki Brown    Casting Director
Jeff Ward    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Metrics

Opening Weekend:$8,085,715 (40.1% of total gross)
Legs:2.49 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,089 opening theaters/1,100 max. theaters, 3.0 weeks average run per theater
Infl. Adj. Dom. BO $52,333,127

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,801-3,900) 3,855 $20,146,800
All Time International Box Office (Rank 31,101-31,200) 31,160 $347
All Time Worldwide Box Office (Rank 5,501-5,600) 5,511 $20,147,147
All Time Domestic Box Office for R Movies (Rank 1,301-1,400) 1,365 $20,146,800
All Time International Box Office for R Movies (Rank 4,001-4,100) 4,066 $347
All Time Worldwide Box Office for R Movies (Rank 1,701-1,800) 1,730 $20,147,147

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: January 17th, 1992 (Wide) by Paramount Pictures
International Releases: September 24th, 1993 (Wide) (New Zealand)
Video Release: June 6th, 2017 by Paramount Home Video
MPAA Rating: R
Running Time: 94 minutes
Comparisons: vs. Menace II Society
Create your own comparison chart…
Keywords: Black Urban, African Americans, Hood Film, Crime Drama, Friends turned Enemies, Death of a Best Friend, Accidental Death
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Island World Productions, Paramount Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 261 $7,167,348 Jan 24, 1992 10
Martin Luther King (All Movies, 3-Day) 162 $8,085,715 Jan 17, 1992 3
Martin Luther King (All Movies, 3-Day, Inflation Adjusted) 91 $21,412,531 Jan 17, 1992 3
Martin Luther King (Opening, 3-Day) 61 $8,085,715 Jan 17, 1992 3
Martin Luther King (Opening, 3-Day, Inflation Adjusted) 44 $21,412,531 Jan 17, 1992 3

Leading Cast

Omar Epps    Q
Jermaine Hopkins    Steel
Khalil Kain    Raheem
Tupac Shakur    Bishop

Supporting Cast

Cindy Herron    Yolanda
Vincent Laresca    Radames
Samuel L. Jackson    Trip
George O. Gore    Brian
Grace Garland    Q's Mother
Queen Latifah    Ruffhouse M.C.
Idina Harris    Keesha
Victor Campos    Quiles
Eric Payne    Frank
Sharon Cook    Record Store Clerk
Darien Berry    Blizzard
Maggie Rush    Myra
Mark Knox    Contest Auditioner
Rony Clanton    Detective Markham
Mike Badaluco    Detective Kelly
Jacqui Dickerson    Sweets
Pablo Guzman    TV Reporter
Randy Frazier    Steel's Father
LaTanya Richardson    Steel's Mother
Oran Jones    Snappy Nappy Dugout
Mitchell Marchand    Kid at Trip's
Corwin Moore    Sam
Lauren Jones    Raheem's Mother
Birdie M. Hale    Bishop's Grandma
L.B. Williams    Bishop's Father
Donald Faison    Student
Eddie Joe    Bartender
John Patrick McLaughlin    Cop
Norman Douglass    Cop
John DiBenedetto    Cop
Christopher Rubin    Doctor
Juanita Troy-Keitt    Homeless Woman
Ed Lover    Contest Judge
Dr. Dre    Contest Judge
EPMD EPMD    Bar Patron
Erick Sermon    Bar Patron
Parrish J. Smith    Bar Patron

Cameos

Fab 5 Freddy    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ernest Dickerson    Director
David Heyman    Producer
Neal H. Moritz    Producer
Gerard Brown    Screenwriter
Ernest Dickerson    Screenwriter
Ernest Dickerson    Story Creator
Preston Holmes    Co-Producer
Larry Banks    Director of Photography
Lester Cohen    Production Designer
Sam Pollard    Editor
Brunilda Torres    Editor
Hank Shocklee    Composer
The Bomb Squad    Composer
James Bigwood    Associate Producer
Gerard Brown    Associate Producer
Ralph McDaniels    Associate Producer
Randy Fletcher    Assistant Director
Brent Owens    Production Manager
Alyssa Winter    Set Decorator
Donna Berwick    Costume Designer
Jennifer Ruscoe    Costume Supervisor
Jane E. Myers    Costume Supervisor
Franklin D. Stettner    Sound Mixer
Rick Dior    Re-recording Mixer
Wendy Hedin    Supervising Sound Editor
Ray Karpicki    Sound Editor
Beriau Picard    Sound Editor
Frederick Jacobi    Sound Editor
Wendy Hedin    Sound Effects Editor
James Flatto    Music Editor
Kathy Nelson    Music Supervisor
William Griffin    Song Writer
Erick Sermon    Song Writer
Parrish J. Smith    Song Writer
Aaron Hall    Song Writer
Hank Shocklee    Song Writer
Gary G-Wiz    Song Writer
Floyd F. Fisher    Song Writer
Guy Williams    Song Writer
Roosevelt Simmons    Song Writer
Jaki Brown    Casting Director
Jeff Ward    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,801-3,900) 3,855 $20,146,800
All Time Domestic Inflation Adjusted Box Office (Rank 3,001-3,100) 3,082 $52,333,127
All Time Domestic Non-Sequel Box Office (Rank 3,201-3,300) 3,210 $20,146,800
Top 1992 Movies at the Domestic Box Office 63 $20,146,800
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 801-900) 808 $20,146,800
All Time Domestic Box Office for Live Action Movies (Rank 3,301-3,400) 3,389 $20,146,800
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 2,001-2,100) 2,038 $20,146,800
All Time Domestic Box Office for Drama Movies (Rank 601-700) 689 $20,146,800
All Time Domestic Box Office for R Movies (Rank 1,301-1,400) 1,365 $20,146,800
All Time Domestic Box Office for Paramount Pictures Movies (Rank 401-500) 403 $20,146,800

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 17, 1992 2 $8,085,715   1,089 $7,425   $8,085,715 1
Jan 24, 1992 10 $2,706,504 -67% 1,100 $2,460   $11,794,533 2
Jan 31, 1992 10 $2,154,600 -20% 1,079 $1,997   $14,762,545 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 17, 1992 2 $9,088,029   1,089 $8,345   $9,088,029 1
Jan 24, 1992 9 $3,519,916 -61% 1,100 $3,200   $12,607,945 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
New Zealand 9/24/1993 $0 0 1 1 $347 9/16/2024
 
International Total$347 9/16/2024

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 31,101-31,200) 31,160 $347
All Time International Non-Sequel Box Office (Rank 29,701-29,800) 29,718 $347
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 2,601-2,700) 2,686 $347
All Time International Box Office for Live Action Movies (Rank 27,101-27,200) 27,136 $347
All Time International Box Office for Contemporary Fiction Movies (Rank 16,201-16,300) 16,264 $347
All Time International Box Office for Drama Movies (Rank 9,601-9,700) 9,630 $347
All Time International Box Office for R Movies (Rank 4,001-4,100) 4,066 $347
All Time International Box Office for Paramount Pictures Movies (Rank 401-500) 405 $347

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 5,501-5,600) 5,511 $20,147,147
All Time Worldwide Non-Sequel Box Office (Rank 4,601-4,700) 4,687 $20,147,147
Top 1992 Movies at the Worldwide Box Office 65 $20,147,147
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 1,001-1,100) 1,038 $20,147,147
All Time Worldwide Box Office for Live Action Movies (Rank 4,701-4,800) 4,789 $20,147,147
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 2,801-2,900) 2,888 $20,147,147
All Time Worldwide Box Office for Drama Movies (Rank 1,101-1,200) 1,184 $20,147,147
All Time Worldwide Box Office for R Movies (Rank 1,701-1,800) 1,730 $20,147,147
All Time Worldwide Box Office for Paramount Pictures Movies (Rank 401-500) 430 $20,147,147

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Jun 11, 20171413,134 13,134$141,063$141,0631

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.