Dirty Grandpa (2016)

Dirty Grandpa poster
Theatrical Performance
Domestic Box Office $35,593,113Details
International Box Office $69,485,336Details
Worldwide Box Office $105,078,449
Home Market Performance
Est. Domestic DVD Sales $5,758,031 Details
Est. Domestic Blu-ray Sales $3,801,840 Details
Total Est. Domestic Video Sales $9,559,871
Further financial details...

Synopsis

Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, "dirty" Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.

Metrics

Opening Weekend:$11,111,875 (31.2% of total gross)
Legs:3.20 (domestic box office/biggest weekend)
Domestic Share:33.9% (domestic box office/worldwide)
Production Budget:$11,500,000 (worldwide box office is 9.1 times production budget)
Theater counts:2,912 opening theaters/2,912 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $44,357,652

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu, Vudu, Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 22nd, 2016 (Wide) by Lionsgate
International Releases: January 21st, 2016 (Wide) (Hong Kong)
January 21st, 2016 (Wide) (Iraq)
January 21st, 2016 (Wide) (Oman)
January 21st, 2016 (Wide) (Portugal)
January 21st, 2016 (Wide) (Russia (CIS))
... Show all releases
Video Release: April 26th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for crude sexual content throughout, graphic nudity, and for language and drug use.
(Rating bulletin 2401 (Cert #50150), 11/25/2015)
Running Time: 97 minutes
Comparisons: vs. 21 and Over
Create your own comparison chart…
Keywords: Road Trip, Generational Conflict, Slobs vs. Snobs, Spring Break, Widow/Widower, Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: QED International, Lionsgate, BillBlock Media, Josephson Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 356 $5,103,426 Feb 5, 2016 17

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 22, 2016 4 $11,111,875   2,912 $3,816   $11,111,875 1
Jan 29, 2016 6 $7,591,049 -32% 2,912 $2,607   $22,837,059 2
Feb 5, 2016 10 $4,040,023 -47% 2,567 $1,574   $29,379,776 3
Feb 12, 2016 14 $2,238,070 -45% 1,612 $1,388   $33,128,990 4
Feb 19, 2016 21 $709,715 -68% 789 $900   $34,566,188 5
Feb 26, 2016 29 $304,165 -57% 362 $840   $35,126,106 6
Mar 4, 2016 38 $138,500 -54% 217 $638   $35,378,025 7
Mar 11, 2016 40 $103,791 -25% 156 $665   $35,547,886 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 21, 2016 P $660,000     2,000 $330   $660,000  
Jan 22, 2016 2 $4,296,448     2,912 $1,475   $4,296,448 1
Jan 23, 2016 5 $4,468,295 +4%   2,912 $1,534   $8,764,743 2
Jan 24, 2016 6 $2,347,132 -47%   2,912 $806   $11,111,875 3
Jan 25, 2016 4 $922,380 -61%   2,912 $317   $12,034,255 4
Jan 26, 2016 3 $1,306,654 +42%   2,912 $449   $13,340,909 5
Jan 27, 2016 3 $956,384 -27%   2,912 $328   $14,297,293 6
Jan 28, 2016 3 $948,717 -1%   2,912 $326   $15,246,010 7
Jan 29, 2016 8 $2,212,092 +133% -49% 2,912 $760   $17,458,102 8
Jan 30, 2016 7 $3,346,163 +51% -25% 2,912 $1,149   $20,804,265 9
Jan 31, 2016 6 $2,032,794 -39% -13% 2,912 $698   $22,837,059 10
Feb 1, 2016 5 $571,299 -72% -38% 2,912 $196   $23,408,358 11
Feb 2, 2016 5 $782,846 +37% -40% 2,912 $269   $24,191,204 12
Feb 3, 2016 5 $589,039 -25% -38% 2,912 $202   $24,780,243 13
Feb 4, 2016 5 $559,510 -5% -41% 2,912 $192   $25,339,753 14
Feb 5, 2016 9 $1,333,938 +138% -40% 2,567 $520   $26,673,691 15
Feb 6, 2016 10 $2,112,377 +58% -37% 2,567 $823   $28,786,068 16
Feb 7, 2016 11 $593,708 -72% -71% 2,567 $231   $29,379,776 17
Feb 8, 2016 8 $384,280 -35% -33% 2,567 $150   $29,764,056 18
Feb 9, 2016 8 $495,034 +29% -37% 2,567 $193   $30,259,090 19
Feb 10, 2016 7 $374,236 -24% -36% 2,567 $146   $30,633,326 20
Feb 11, 2016 8 $257,594 -31% -54% 2,567 $100   $30,890,920 21
Feb 12, 2016 14 $447,758 +74% -66% 1,612 $278   $31,338,678 22
Feb 13, 2016 14 $840,629 +88% -60% 1,612 $521   $32,179,307 23
Feb 14, 2016 14 $949,683 +13% +60% 1,612 $589   $33,128,990 24
Feb 15, 2016 14 $275,215 -71% -28% 1,612 $171   $33,404,205 25
Feb 16, 2016 14 $192,914 -30% -61% 1,612 $120   $33,597,119 26
Feb 17, 2016 14 $140,278 -27% -63% 1,612 $87   $33,737,397 27
Feb 18, 2016 14 $119,076 -15% -54% 1,612 $74   $33,856,473 28
Feb 19, 2016 - $200,897 +69% -55% 789 $255   $34,057,370 29
Feb 20, 2016 - $336,701 +68% -60% 789 $427   $34,394,071 30
Feb 21, 2016 - $172,117 -49% -82% 789 $218   $34,566,188 31
Feb 22, 2016 - $57,694 -66% -79% 789 $73   $34,623,882 32
Feb 23, 2016 - $81,219 +41% -58% 789 $103   $34,705,101 33
Feb 24, 2016 - $63,900 -21% -54% 789 $81   $34,769,001 34
Feb 25, 2016 - $52,940 -17% -56% 789 $67   $34,821,941 35
Feb 26, 2016 - $91,571 +73% -54% 362 $253   $34,913,512 36
Feb 27, 2016 - $140,627 +54% -58% 362 $388   $35,054,139 37
Feb 28, 2016 - $71,967 -49% -58% 362 $199   $35,126,106 38
Feb 29, 2016 - $25,738 -64% -55% 362 $71   $35,151,844 39
Mar 1, 2016 - $36,235 +41% -55% 362 $100   $35,188,079 40
Mar 2, 2016 - $29,737 -18% -53% 362 $82   $35,217,816 41
Mar 3, 2016 - $21,709 -27% -59% 362 $60   $35,239,525 42
Mar 4, 2016 - $39,606 +82% -57% 217 $183   $35,279,131 43
Mar 5, 2016 - $59,799 +51% -57% 217 $276   $35,338,930 44
Mar 6, 2016 - $39,095 -35% -46% 217 $180   $35,378,025 45
Mar 7, 2016 - $15,807 -60% -39% 217 $73   $35,393,832 46
Mar 8, 2016 - $19,378 +23% -47% 217 $89   $35,413,210 47
Mar 9, 2016 - $15,508 -20% -48% 217 $71   $35,428,718 48
Mar 10, 2016 - $15,377 -1% -29% 217 $71   $35,444,095 49
Mar 11, 2016 - $29,778 +94% -25% 156 $191   $35,473,873 50
Mar 12, 2016 - $46,054 +55% -23% 156 $295   $35,519,927 51
Mar 13, 2016 - $27,959 -39% -28% 156 $179   $35,547,886 52
Mar 14, 2016 - $10,768 -61% -32% 156 $69   $35,558,654 53
Mar 15, 2016 - $13,189 +22% -32% 156 $85   $35,571,843 54
Mar 16, 2016 - $10,106 -23% -35% 156 $65   $35,581,949 55
Mar 17, 2016 - $11,164 +10% -27% 156 $72   $35,593,113 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 22, 2016 4 $15,246,010   2,912 $5,236   $15,246,010 1
Jan 29, 2016 6 $10,093,743 -34% 2,912 $3,466   $25,339,753 2
Feb 5, 2016 9 $5,551,167 -45% 2,567 $2,163   $30,890,920 3
Feb 12, 2016 14 $2,965,553 -47% 1,612 $1,840   $33,856,473 4
Feb 19, 2016 21 $965,468 -67% 789 $1,224   $34,821,941 5
Feb 26, 2016 29 $417,584 -57% 362 $1,154   $35,239,525 6
Mar 4, 2016 37 $204,570 -51% 217 $943   $35,444,095 7
Mar 11, 2016 41 $149,018 -27% 156 $955   $35,593,113 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/18/2016 $232,554 69 69 178 $666,988 12/31/2018
Australia 1/29/2016 $1,682,343 226 230 959 $4,569,261 6/9/2016
Austria 2/11/2016 $469,659 50 66 543 $2,694,197 6/9/2016
Belgium 2/17/2016 $217,723 33 33 161 $792,423 6/9/2016
Brazil 2/4/2016 $108,690 106 106 172 $279,444 6/9/2016
Bulgaria 2/5/2016 $67,800 35 35 196 $473,776 12/31/2018
Central America 2/18/2016 $0 0 22 58 $378,392 4/19/2016
Chile 2/25/2016 $43,252 22 22 28 $87,955 12/31/2018
Colombia 2/18/2016 $164,508 118 118 220 $343,328 12/31/2018
Croatia 1/28/2016 $83,240 23 23 131 $415,642 12/31/2018
Ecuador 4/8/2016 $43,180 20 23 43 $97,844 12/31/2018
France 2/3/2016 $729,991 248 248 607 $1,557,448 6/9/2016
Germany 2/11/2016 $2,685,230 398 495 3,625 $11,678,806 6/9/2016
Greece 4/14/2016 $67,273 58 58 58 $0 4/19/2016
Hong Kong 1/21/2016 $414,343 34 36 117 $1,459,710 6/9/2016
Hungary 1/28/2016 $419,048 51 51 561 $1,726,529 12/31/2018
Iceland 1/29/2016 $0 0 3 3 $76,807 12/31/2018
Iraq 1/21/2016 $4,144 2 2 16 $30,265 12/31/2018
Italy 4/13/2016 $961,411 275 275 590 $3,325,915 11/11/2018
Lebanon 1/28/2016 $30,244 4 4 25 $292,938 12/31/2018
Lithuania 1/22/2016 $0 0 52 78 $119,807 6/9/2016
Mexico 3/4/2016 $808,216 0 351 351 $3,175,835 6/9/2016
Netherlands 2/18/2016 $281,531 84 84 586 $1,473,783 6/9/2016
New Zealand 1/28/2016 $140,818 56 63 238 $481,868 6/9/2016
Oman 1/21/2016 $1,589 1 1 2 $28,849 12/31/2018
Peru 2/18/2016 $225,281 82 82 143 $646,354 12/31/2018
Philippines 2/3/2016 $0 0 20 20 $95,129 12/31/2018
Poland 1/22/2016 $198,065 0 58 58 $854,374 12/31/2018
Portugal 1/21/2016 $151,365 49 52 249 $794,698 6/9/2016
Romania 2/5/2016 $0 0 42 42 $725,286 12/31/2018
Russia (CIS) 1/21/2016 $1,265,958 752 752 2,125 $4,398,628 11/13/2018
Serbia and Montenegro 1/28/2016 $26,443 19 19 88 $191,672 12/31/2018
Singapore 1/28/2016 $148,564 27 27 49 $285,547 6/9/2016
Slovakia 1/21/2016 $46,671 44 44 112 $146,970 6/9/2016
Slovenia 2/4/2016 $50,390 17 17 120 $306,837 6/9/2016
South Africa 1/29/2016 $0 0 57 57 $277,436 6/9/2016
South Korea 3/17/2016 $312,390 392 392 457 $540,016 6/9/2016
Switzerland 2/3/2016 $44,190 7 48 153 $862,445 6/9/2016
Taiwan 1/22/2016 $308,426 42 45 149 $1,243,856 6/9/2016
Thailand 2/4/2016 $30,195 29 29 40 $47,901 6/9/2016
Turkey 1/22/2016 $45,149 37 88 145 $7,839,089 2/26/2019
Ukraine 1/21/2016 $0 0 81 146 $608,585 12/31/2018
United Arab Emirates 1/21/2016 $390,007 60 60 123 $1,086,872 12/31/2018
United Kingdom 1/29/2016 $2,903,840 424 424 1,717 $7,790,811 6/9/2016
Uruguay 3/24/2016 $19,113 5 7 21 $80,759 12/31/2018
 
Rest of World $4,434,261
 
International Total$69,485,336 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 22, 20162112,233 112,233$1,997,747$1,997,7474
May 29, 2016561,043-46% 173,276$1,110,983$3,108,7305
Jun 5, 2016934,865-43% 208,141$592,356$3,701,0866
Jun 12, 20161314,204-59% 222,345$241,326$3,942,4127
Jun 19, 20161323,038+62% 245,383$315,851$4,258,2638

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 22, 2016276,150 76,150$1,485,689$1,485,6894
May 29, 2016639,826-48% 115,976$753,512$2,239,2015
Jun 5, 2016921,954-45% 137,930$394,958$2,634,1596
Jun 12, 2016149,103-59% 147,033$168,674$2,802,8337
Jun 19, 20161712,254+35% 159,287$237,970$3,040,8038

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Robert De Niro    Dick Kelly
Zac Efron    Jason Kelly

Supporting Cast

Aubrey Plaza    Lenore
Zoey Deutch    Shadia
Julianne Hough    Meredith Goldstein
Dermot Mulroney    David Kelly
Jason Mantzoukas    Tan Pam
Jeffrey Bowyer Chapman    Bradley
Brandon Mychal Smith    Tyrone
Jake Picking    Cody
Michael Hudson    Brah
Adam Pally    Cousin Nick
Mo Collins    Officer Finch
Henry Zebrowski    Officer Reiter
Danny Glover    Stinky
Catherine Dyer    Brooke Kelly
Deena Dill    Cougar #1
Lane Carlock    Cougar #2
Chris Setticase    College Kid
Eric Goins    Father at the Beach
Gavin Munn    Boy at the Beach
DeRon Horton    Georgia Student #1
Michael H. Cole    Catholic Priest
Sallye Hooks    Female Hippie Chick
Amy Parrish    Wedding Planner
Eugenia Kuzmina    Hippie Cathy
Joshua Mikel    Hippie Griz
Warren Steele    Hippie Bart
Stephanie Astalos-Jones    Rest Stop Waitress
Chandler Darby    Teenager
Matthew Cornwell    Father at Wake
Shawn Shepard    Karaoke MC
Michaele Chappell    Jamaican Nurse
Blaque Fowler    Rabbi
Nelson Bonilla    Random Cop
Amelia Brain    Party Girl
Wiley Rinaldi    Uncle Rubin
Paul Manzella    ASL Signer at Wedding

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dan Mazer    Director
John Phillips    Screenwriter
Bill Block    Producer
Barry Josephson    Producer
Jason Barrett    Producer
Michael Simkin    Producer
Sasha Shapiro    Executive Producer
Anton Lessine    Executive Producer
John M. Phillips    Executive Producer
Michael Flynn    Executive Producer
Alexander Young    Executive Producer
John Friedberg    Executive Producer
Eric Alan Edwards    Director of Photography
William Arnold    Production Designer
Anne McCabe    Editor
Christie Wittenborn    Costume Designer
Michael Andrews    Composer
Kier Lehman    Music Supervisor
Amanda Mackey    Casting Director
Cathy Sandrich    Casting Director
Michael Flynn    Unit Production Manager
Josh King    First Assistant Director
Matthew Goodwin    Second Assistant Director
Mickey Giacomazzi    Stunt Coordinator
Diane Durant    Script Supervisor
Jeremy Woolsey    Art Director
Nathan Krochmal    Set Designer
David Smith    Set Decorator
Terri Dehaan    Costume Supervisor
Kimberly Jones    Make up
Teresa Foshee    Make up
Shunika Terry    Hairstylist
Lawrence Davis    Hairstylist
Jay Meagher    Sound Mixer
Caius Man    Special Effects Coordinator
Jonathan Ferrantelli    Post-Production Supervisor
Arturo Sosa    First Assistant Editor
Adam Dicterow    Assistant Editor
Damian Volpe    Sound Supervisor
Brian Bowles    Dialogue Editor
Allen Lau    Assistant Editor
Eric McAllister    Assistant Editor
Rob Fernandez    Re-recording Mixer
Damian Volpe    Re-recording Mixer
Chris LeDoux    Visual Effects Supervisor
Tim LeDoux    Visual Effects Supervisor
Robin Graham    Visual Effects Producer
Jason Sanford    Visual Effects Executive Producer
Darren Blumenthal    Executive Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

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May 17th, 2016

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February 5th, 2016

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February 2nd, 2016

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January 24th, 2016

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January 23rd, 2016

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  1. Summary
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  8. Trailer

Synopsis

Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, "dirty" Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.

Metrics

Opening Weekend:$11,111,875 (31.2% of total gross)
Legs:3.20 (domestic box office/biggest weekend)
Domestic Share:33.9% (domestic box office/worldwide)
Production Budget:$11,500,000 (worldwide box office is 9.1 times production budget)
Theater counts:2,912 opening theaters/2,912 max. theaters, 4.0 weeks average run per theater
Infl. Adj. Dom. BO $44,357,652

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu, Vudu, Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 22nd, 2016 (Wide) by Lionsgate
International Releases: January 21st, 2016 (Wide) (Hong Kong)
January 21st, 2016 (Wide) (Iraq)
January 21st, 2016 (Wide) (Oman)
January 21st, 2016 (Wide) (Portugal)
January 21st, 2016 (Wide) (Russia (CIS))
... Show all releases
Video Release: April 26th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for crude sexual content throughout, graphic nudity, and for language and drug use.
(Rating bulletin 2401 (Cert #50150), 11/25/2015)
Running Time: 97 minutes
Comparisons: vs. 21 and Over
Create your own comparison chart…
Keywords: Road Trip, Generational Conflict, Slobs vs. Snobs, Spring Break, Widow/Widower, Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: QED International, Lionsgate, BillBlock Media, Josephson Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 356 $5,103,426 Feb 5, 2016 17

Leading Cast

Robert De Niro    Dick Kelly
Zac Efron    Jason Kelly

Supporting Cast

Aubrey Plaza    Lenore
Zoey Deutch    Shadia
Julianne Hough    Meredith Goldstein
Dermot Mulroney    David Kelly
Jason Mantzoukas    Tan Pam
Jeffrey Bowyer Chapman    Bradley
Brandon Mychal Smith    Tyrone
Jake Picking    Cody
Michael Hudson    Brah
Adam Pally    Cousin Nick
Mo Collins    Officer Finch
Henry Zebrowski    Officer Reiter
Danny Glover    Stinky
Catherine Dyer    Brooke Kelly
Deena Dill    Cougar #1
Lane Carlock    Cougar #2
Chris Setticase    College Kid
Eric Goins    Father at the Beach
Gavin Munn    Boy at the Beach
DeRon Horton    Georgia Student #1
Michael H. Cole    Catholic Priest
Sallye Hooks    Female Hippie Chick
Amy Parrish    Wedding Planner
Eugenia Kuzmina    Hippie Cathy
Joshua Mikel    Hippie Griz
Warren Steele    Hippie Bart
Stephanie Astalos-Jones    Rest Stop Waitress
Chandler Darby    Teenager
Matthew Cornwell    Father at Wake
Shawn Shepard    Karaoke MC
Michaele Chappell    Jamaican Nurse
Blaque Fowler    Rabbi
Nelson Bonilla    Random Cop
Amelia Brain    Party Girl
Wiley Rinaldi    Uncle Rubin
Paul Manzella    ASL Signer at Wedding

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dan Mazer    Director
John Phillips    Screenwriter
Bill Block    Producer
Barry Josephson    Producer
Jason Barrett    Producer
Michael Simkin    Producer
Sasha Shapiro    Executive Producer
Anton Lessine    Executive Producer
John M. Phillips    Executive Producer
Michael Flynn    Executive Producer
Alexander Young    Executive Producer
John Friedberg    Executive Producer
Eric Alan Edwards    Director of Photography
William Arnold    Production Designer
Anne McCabe    Editor
Christie Wittenborn    Costume Designer
Michael Andrews    Composer
Kier Lehman    Music Supervisor
Amanda Mackey    Casting Director
Cathy Sandrich    Casting Director
Michael Flynn    Unit Production Manager
Josh King    First Assistant Director
Matthew Goodwin    Second Assistant Director
Mickey Giacomazzi    Stunt Coordinator
Diane Durant    Script Supervisor
Jeremy Woolsey    Art Director
Nathan Krochmal    Set Designer
David Smith    Set Decorator
Terri Dehaan    Costume Supervisor
Kimberly Jones    Make up
Teresa Foshee    Make up
Shunika Terry    Hairstylist
Lawrence Davis    Hairstylist
Jay Meagher    Sound Mixer
Caius Man    Special Effects Coordinator
Jonathan Ferrantelli    Post-Production Supervisor
Arturo Sosa    First Assistant Editor
Adam Dicterow    Assistant Editor
Damian Volpe    Sound Supervisor
Brian Bowles    Dialogue Editor
Allen Lau    Assistant Editor
Eric McAllister    Assistant Editor
Rob Fernandez    Re-recording Mixer
Damian Volpe    Re-recording Mixer
Chris LeDoux    Visual Effects Supervisor
Tim LeDoux    Visual Effects Supervisor
Robin Graham    Visual Effects Producer
Jason Sanford    Visual Effects Executive Producer
Darren Blumenthal    Executive Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

Thursday Night Previews: Deadpool Has Lively Debut - Updated

February 12th, 2016

Deadpool

Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low. More...

Thursday Night Previews: Hail Storms into Theaters

February 5th, 2016

Hail, Caesar!

Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly. More...

Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way

February 2nd, 2016

Kung Fu Panda 3

Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it. More...

Weekend Estimates: The Revenant wins chilly weekend with $16 million

January 24th, 2016

The Revenant

With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide. More...

Friday Estimates: New Releases Struggle as Revenant Hangs Tough

January 23rd, 2016

The Revenant

While some are blaming the storm for hurting Friday night box office numbers, I think it is wiser to point the finger at the reviews instead. So far, The Boy has earned the best reviews, but with a Tomatometer Score of just 23% positive, that's damning it with faint praise. At the box office, Dirty Grandpa did the best of the new releases, earning second place with $4.2 million. It's early in the year, but it is safe to say its 7% positive reviews will be among the worst of any 2016 release when the year is over. Its CinemaScore was just a B, which is bad. Remember, CinemaScore is based on ratings given to a movie by people who were interested enough to see it on opening day. Anything less than a B+ suggests poor word-of-mouth. It did earn about about 10% more than That Awkward Moment's opening day. Additionally, That Awkward Moment had to deal with The Super Bowl on Sunday, so Dirty Grandpa should have better legs and should pull in $11 million. More...

Thursday Night Previews: Fifth Wave Fails to Find Audience

January 22nd, 2016

The Fifth Wave

The 5th Wave started off on a soft note with $475,000 in previews last night. To put this into perspective, The Giver, another Young Adult Novel Adaptation, earned $750,000 during its previews back in 2014. That film only managed an opening of $12.31 million and a domestic total of $45.09 million. At this point, it looks like The 5th Wave will open with less than $10 million. More...

Weekend Predictions: Will Fifth Wave Open in the Top Five?

January 21st, 2016

The Fifth Wave

Three wide releases are coming out this week, all of which are expected to earn similar openings. None of which are expected to compete for the top five. The 5th Wave is the latest Young Adult Adaptation and as I'm writing this at about 10 am on Thursday, it is still the only new release with any reviews. Dirty Grandpa is the widest release of the week, but with no reviews, it is hard to judge how well it will do. Finally there's The Boy. If it can match The Forest, I'm sure STX Entertainment will be happy. The weakness in the new releases doesn't mean we won't have a new number one film, as The Revenant seems poised to climb to first place over the weekend. This weekend last year, American Sniper remained dominant with nearly $65 million. It's a near certainty that all three new releases won't make that much this year. There's a chance the top five combined won't make that much this year. 2016 is going to lose in the year-over-year comparison. More...

Contest: Do The Wave

January 15th, 2016

The 5th Wave

Next weekend, there are three wide releases coming out. None of these look to be huge hits, but it doesn't look like any of them will be bombs either. The 5th Wave and Dirty Grandpa are both expected to open in 2,800 theaters and they will likely be a coin-toss as to which one tops the week's list of new releases. Speaking of which, The 5th Wave won the coin-toss and it will be the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The 5th Wave.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 22, 2016 4 $11,111,875   2,912 $3,816   $11,111,875 1
Jan 29, 2016 6 $7,591,049 -32% 2,912 $2,607   $22,837,059 2
Feb 5, 2016 10 $4,040,023 -47% 2,567 $1,574   $29,379,776 3
Feb 12, 2016 14 $2,238,070 -45% 1,612 $1,388   $33,128,990 4
Feb 19, 2016 21 $709,715 -68% 789 $900   $34,566,188 5
Feb 26, 2016 29 $304,165 -57% 362 $840   $35,126,106 6
Mar 4, 2016 38 $138,500 -54% 217 $638   $35,378,025 7
Mar 11, 2016 40 $103,791 -25% 156 $665   $35,547,886 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 21, 2016 P $660,000     2,000 $330   $660,000  
Jan 22, 2016 2 $4,296,448     2,912 $1,475   $4,296,448 1
Jan 23, 2016 5 $4,468,295 +4%   2,912 $1,534   $8,764,743 2
Jan 24, 2016 6 $2,347,132 -47%   2,912 $806   $11,111,875 3
Jan 25, 2016 4 $922,380 -61%   2,912 $317   $12,034,255 4
Jan 26, 2016 3 $1,306,654 +42%   2,912 $449   $13,340,909 5
Jan 27, 2016 3 $956,384 -27%   2,912 $328   $14,297,293 6
Jan 28, 2016 3 $948,717 -1%   2,912 $326   $15,246,010 7
Jan 29, 2016 8 $2,212,092 +133% -49% 2,912 $760   $17,458,102 8
Jan 30, 2016 7 $3,346,163 +51% -25% 2,912 $1,149   $20,804,265 9
Jan 31, 2016 6 $2,032,794 -39% -13% 2,912 $698   $22,837,059 10
Feb 1, 2016 5 $571,299 -72% -38% 2,912 $196   $23,408,358 11
Feb 2, 2016 5 $782,846 +37% -40% 2,912 $269   $24,191,204 12
Feb 3, 2016 5 $589,039 -25% -38% 2,912 $202   $24,780,243 13
Feb 4, 2016 5 $559,510 -5% -41% 2,912 $192   $25,339,753 14
Feb 5, 2016 9 $1,333,938 +138% -40% 2,567 $520   $26,673,691 15
Feb 6, 2016 10 $2,112,377 +58% -37% 2,567 $823   $28,786,068 16
Feb 7, 2016 11 $593,708 -72% -71% 2,567 $231   $29,379,776 17
Feb 8, 2016 8 $384,280 -35% -33% 2,567 $150   $29,764,056 18
Feb 9, 2016 8 $495,034 +29% -37% 2,567 $193   $30,259,090 19
Feb 10, 2016 7 $374,236 -24% -36% 2,567 $146   $30,633,326 20
Feb 11, 2016 8 $257,594 -31% -54% 2,567 $100   $30,890,920 21
Feb 12, 2016 14 $447,758 +74% -66% 1,612 $278   $31,338,678 22
Feb 13, 2016 14 $840,629 +88% -60% 1,612 $521   $32,179,307 23
Feb 14, 2016 14 $949,683 +13% +60% 1,612 $589   $33,128,990 24
Feb 15, 2016 14 $275,215 -71% -28% 1,612 $171   $33,404,205 25
Feb 16, 2016 14 $192,914 -30% -61% 1,612 $120   $33,597,119 26
Feb 17, 2016 14 $140,278 -27% -63% 1,612 $87   $33,737,397 27
Feb 18, 2016 14 $119,076 -15% -54% 1,612 $74   $33,856,473 28
Feb 19, 2016 - $200,897 +69% -55% 789 $255   $34,057,370 29
Feb 20, 2016 - $336,701 +68% -60% 789 $427   $34,394,071 30
Feb 21, 2016 - $172,117 -49% -82% 789 $218   $34,566,188 31
Feb 22, 2016 - $57,694 -66% -79% 789 $73   $34,623,882 32
Feb 23, 2016 - $81,219 +41% -58% 789 $103   $34,705,101 33
Feb 24, 2016 - $63,900 -21% -54% 789 $81   $34,769,001 34
Feb 25, 2016 - $52,940 -17% -56% 789 $67   $34,821,941 35
Feb 26, 2016 - $91,571 +73% -54% 362 $253   $34,913,512 36
Feb 27, 2016 - $140,627 +54% -58% 362 $388   $35,054,139 37
Feb 28, 2016 - $71,967 -49% -58% 362 $199   $35,126,106 38
Feb 29, 2016 - $25,738 -64% -55% 362 $71   $35,151,844 39
Mar 1, 2016 - $36,235 +41% -55% 362 $100   $35,188,079 40
Mar 2, 2016 - $29,737 -18% -53% 362 $82   $35,217,816 41
Mar 3, 2016 - $21,709 -27% -59% 362 $60   $35,239,525 42
Mar 4, 2016 - $39,606 +82% -57% 217 $183   $35,279,131 43
Mar 5, 2016 - $59,799 +51% -57% 217 $276   $35,338,930 44
Mar 6, 2016 - $39,095 -35% -46% 217 $180   $35,378,025 45
Mar 7, 2016 - $15,807 -60% -39% 217 $73   $35,393,832 46
Mar 8, 2016 - $19,378 +23% -47% 217 $89   $35,413,210 47
Mar 9, 2016 - $15,508 -20% -48% 217 $71   $35,428,718 48
Mar 10, 2016 - $15,377 -1% -29% 217 $71   $35,444,095 49
Mar 11, 2016 - $29,778 +94% -25% 156 $191   $35,473,873 50
Mar 12, 2016 - $46,054 +55% -23% 156 $295   $35,519,927 51
Mar 13, 2016 - $27,959 -39% -28% 156 $179   $35,547,886 52
Mar 14, 2016 - $10,768 -61% -32% 156 $69   $35,558,654 53
Mar 15, 2016 - $13,189 +22% -32% 156 $85   $35,571,843 54
Mar 16, 2016 - $10,106 -23% -35% 156 $65   $35,581,949 55
Mar 17, 2016 - $11,164 +10% -27% 156 $72   $35,593,113 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 22, 2016 4 $15,246,010   2,912 $5,236   $15,246,010 1
Jan 29, 2016 6 $10,093,743 -34% 2,912 $3,466   $25,339,753 2
Feb 5, 2016 9 $5,551,167 -45% 2,567 $2,163   $30,890,920 3
Feb 12, 2016 14 $2,965,553 -47% 1,612 $1,840   $33,856,473 4
Feb 19, 2016 21 $965,468 -67% 789 $1,224   $34,821,941 5
Feb 26, 2016 29 $417,584 -57% 362 $1,154   $35,239,525 6
Mar 4, 2016 37 $204,570 -51% 217 $943   $35,444,095 7
Mar 11, 2016 41 $149,018 -27% 156 $955   $35,593,113 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/18/2016 $232,554 69 69 178 $666,988 12/31/2018
Australia 1/29/2016 $1,682,343 226 230 959 $4,569,261 6/9/2016
Austria 2/11/2016 $469,659 50 66 543 $2,694,197 6/9/2016
Belgium 2/17/2016 $217,723 33 33 161 $792,423 6/9/2016
Brazil 2/4/2016 $108,690 106 106 172 $279,444 6/9/2016
Bulgaria 2/5/2016 $67,800 35 35 196 $473,776 12/31/2018
Central America 2/18/2016 $0 0 22 58 $378,392 4/19/2016
Chile 2/25/2016 $43,252 22 22 28 $87,955 12/31/2018
Colombia 2/18/2016 $164,508 118 118 220 $343,328 12/31/2018
Croatia 1/28/2016 $83,240 23 23 131 $415,642 12/31/2018
Ecuador 4/8/2016 $43,180 20 23 43 $97,844 12/31/2018
France 2/3/2016 $729,991 248 248 607 $1,557,448 6/9/2016
Germany 2/11/2016 $2,685,230 398 495 3,625 $11,678,806 6/9/2016
Greece 4/14/2016 $67,273 58 58 58 $0 4/19/2016
Hong Kong 1/21/2016 $414,343 34 36 117 $1,459,710 6/9/2016
Hungary 1/28/2016 $419,048 51 51 561 $1,726,529 12/31/2018
Iceland 1/29/2016 $0 0 3 3 $76,807 12/31/2018
Iraq 1/21/2016 $4,144 2 2 16 $30,265 12/31/2018
Italy 4/13/2016 $961,411 275 275 590 $3,325,915 11/11/2018
Lebanon 1/28/2016 $30,244 4 4 25 $292,938 12/31/2018
Lithuania 1/22/2016 $0 0 52 78 $119,807 6/9/2016
Mexico 3/4/2016 $808,216 0 351 351 $3,175,835 6/9/2016
Netherlands 2/18/2016 $281,531 84 84 586 $1,473,783 6/9/2016
New Zealand 1/28/2016 $140,818 56 63 238 $481,868 6/9/2016
Oman 1/21/2016 $1,589 1 1 2 $28,849 12/31/2018
Peru 2/18/2016 $225,281 82 82 143 $646,354 12/31/2018
Philippines 2/3/2016 $0 0 20 20 $95,129 12/31/2018
Poland 1/22/2016 $198,065 0 58 58 $854,374 12/31/2018
Portugal 1/21/2016 $151,365 49 52 249 $794,698 6/9/2016
Romania 2/5/2016 $0 0 42 42 $725,286 12/31/2018
Russia (CIS) 1/21/2016 $1,265,958 752 752 2,125 $4,398,628 11/13/2018
Serbia and Montenegro 1/28/2016 $26,443 19 19 88 $191,672 12/31/2018
Singapore 1/28/2016 $148,564 27 27 49 $285,547 6/9/2016
Slovakia 1/21/2016 $46,671 44 44 112 $146,970 6/9/2016
Slovenia 2/4/2016 $50,390 17 17 120 $306,837 6/9/2016
South Africa 1/29/2016 $0 0 57 57 $277,436 6/9/2016
South Korea 3/17/2016 $312,390 392 392 457 $540,016 6/9/2016
Switzerland 2/3/2016 $44,190 7 48 153 $862,445 6/9/2016
Taiwan 1/22/2016 $308,426 42 45 149 $1,243,856 6/9/2016
Thailand 2/4/2016 $30,195 29 29 40 $47,901 6/9/2016
Turkey 1/22/2016 $45,149 37 88 145 $7,839,089 2/26/2019
Ukraine 1/21/2016 $0 0 81 146 $608,585 12/31/2018
United Arab Emirates 1/21/2016 $390,007 60 60 123 $1,086,872 12/31/2018
United Kingdom 1/29/2016 $2,903,840 424 424 1,717 $7,790,811 6/9/2016
Uruguay 3/24/2016 $19,113 5 7 21 $80,759 12/31/2018
 
Rest of World $4,434,261
 
International Total$69,485,336 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 22, 20162112,233 112,233$1,997,747$1,997,7474
May 29, 2016561,043-46% 173,276$1,110,983$3,108,7305
Jun 5, 2016934,865-43% 208,141$592,356$3,701,0866
Jun 12, 20161314,204-59% 222,345$241,326$3,942,4127
Jun 19, 20161323,038+62% 245,383$315,851$4,258,2638

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 22, 2016276,150 76,150$1,485,689$1,485,6894
May 29, 2016639,826-48% 115,976$753,512$2,239,2015
Jun 5, 2016921,954-45% 137,930$394,958$2,634,1596
Jun 12, 2016149,103-59% 147,033$168,674$2,802,8337
Jun 19, 20161712,254+35% 159,287$237,970$3,040,8038

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.