Market Charts > 1999 > Distributors
Market Share for Each Distributor in 1999
← 1998 | Summary for all Years | 2000 → |
Note: This chart ranks distributors by the amount they earned at the domestic box office during 1999. It includes movies released in previous years that earned money during 1999. For example, a movie released over Thanksgiving in 1998 will most likely earn money in 1998 and 1999.
Top Grossing of 1999
Rank | Distributor | Movies | 1999 Gross | Tickets | Share |
---|---|---|---|---|---|
1 | Walt Disney | 30 | $1,244,033,523 | 244,888,472 | 16.95% |
2 | Warner Bros. | 25 | $1,042,641,425 | 205,244,361 | 14.21% |
3 | Universal | 23 | $934,557,586 | 183,968,016 | 12.73% |
4 | Paramount Pictures | 21 | $848,754,297 | 167,077,607 | 11.56% |
5 | 20th Century Fox | 23 | $800,945,546 | 157,666,433 | 10.91% |
6 | Sony Pictures | 36 | $631,096,104 | 124,231,500 | 8.60% |
7 | Dreamworks SKG | 9 | $324,861,572 | 63,949,122 | 4.43% |
8 | Miramax | 38 | $316,431,179 | 62,289,586 | 4.31% |
9 | MGM | 14 | $310,129,710 | 61,049,148 | 4.23% |
10 | New Line | 14 | $302,421,532 | 59,531,791 | 4.12% |
11 | Artisan | 16 | $191,285,321 | 37,654,584 | 2.61% |
12 | Lionsgate | 16 | $63,484,730 | 12,496,986 | 0.87% |
13 | October Films | 9 | $41,416,362 | 8,152,823 | 0.56% |
14 | Sony/TriStar | 1 | $41,012,827 | 8,073,391 | 0.56% |
15 | IMAX Films | 6 | $39,766,350 | 7,828,019 | 0.54% |
16 | Sony Pictures Classics | 18 | $33,540,703 | 6,602,491 | 0.46% |
17 | Gramercy | 5 | $32,043,205 | 6,307,714 | 0.44% |
18 | USA Films | 8 | $19,924,947 | 3,922,230 | 0.27% |
19 | Fox Searchlight | 7 | $19,421,804 | 3,823,186 | 0.26% |
20 | MacGillivray Freeman Films | 1 | $18,064,450 | 3,555,994 | 0.25% |
21 | Providence Entertainment | 1 | $12,276,200 | 2,416,574 | 0.17% |
22 | Fine Line | 9 | $7,421,500 | 1,460,921 | 0.10% |
23 | Discovery/IMAX | 1 | $7,049,211 | 1,387,639 | 0.10% |
24 | Stratosphere Entertainment | 9 | $5,827,200 | 1,147,083 | 0.08% |
25 | Eros Entertainment | 6 | $5,015,082 | 987,220 | 0.07% |
26 | Trimark | 5 | $4,921,124 | 968,723 | 0.07% |
27 | Primesco | 2 | $4,702,896 | 925,766 | 0.06% |
28 | New Yorker | 11 | $4,441,215 | 874,249 | 0.06% |
29 | nWave Pictures | 1 | $4,269,548 | 840,462 | 0.06% |
30 | Warren Miller Entertainment | 1 | $3,328,240 | 655,165 | 0.05% |
31 | Independent Artists | 1 | $2,793,776 | 549,955 | 0.04% |
32 | Shadow | 1 | $2,297,017 | 452,168 | 0.03% |
33 | Strand Releasing | 15 | $2,227,484 | 438,475 | 0.03% |
34 | Distributor Unknown | 2 | $1,649,060 | 324,617 | 0.02% |
35 | Goldwyn Entertainment | 5 | $1,413,515 | 278,249 | 0.02% |
36 | Paramount Vantage | 4 | $1,356,114 | 266,950 | 0.02% |
37 | Video Sound | 3 | $1,322,737 | 260,381 | 0.02% |
38 | Artistic License | 6 | $1,193,380 | 234,914 | 0.02% |
39 | Rialto Pictures | 2 | $912,399 | 179,605 | 0.01% |
40 | Zeitgeist | 6 | $886,715 | 174,547 | 0.01% |
41 | Alliance Atlantis | 1 | $641,624 | 126,303 | 0.01% |
42 | Cowboy Pictures | 5 | $412,198 | 81,140 | 0.01% |
43 | Kino International | 6 | $241,696 | 47,576 | 0.00% |
44 | WinStar Cinema | 1 | $167,773 | 33,026 | 0.00% |
45 | Cinecom | 1 | $148,443 | 29,221 | 0.00% |
46 | First Run Features | 8 | $121,836 | 23,980 | 0.00% |
47 | Phaedra Cinema | 11 | $115,916 | 22,812 | 0.00% |
48 | Good Machine Releasing | 1 | $110,829 | 21,816 | 0.00% |
49 | Shooting Gallery | 1 | $92,569 | 18,222 | 0.00% |
50 | Palm Pictures | 2 | $87,725 | 17,268 | 0.00% |
51 | Lot 47 Films | 1 | $57,291 | 11,277 | 0.00% |
52 | Seventh Art Releasing | 1 | $51,282 | 10,094 | 0.00% |
53 | Legacy Releasing | 2 | $38,945 | 7,665 | 0.00% |
54 | Roxie Releasing | 1 | $32,606 | 6,418 | 0.00% |
55 | Regent Releasing | 2 | $31,733 | 6,246 | 0.00% |
56 | Avalanche Releasing | 1 | $20,416 | 4,018 | 0.00% |
57 | First Look | 1 | $9,829 | 1,934 | 0.00% |
58 | Castle Hill Productions | 2 | $6,829 | 1,343 | 0.00% |
59 | Margin Films | 1 | $1,565 | 308 | 0.00% |
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.